Divine the Powers that on this trio wait. Supreme their conquest, over Time and Fate. Love, Work, and Faith - these three alone are great.
As an improviser I'm now pretty comfortable with trios, so I'm thinking of working up to quartets.
Well I went to New Orleans to cover the jazz festival for Trio, it's this new arts channel, it's really great.
In The Police, in a trio situation - which I've come back to now - it's just so wide open that it does actually provide this arena where you can play with a certain freedom.
I've got four or five records in my head at a time that I try to work on and I would like to do a guitar trio record next - since The Police I've mostly made records with keyboards.
I always hated jazz guitar. I loved jazz saxophone but I hated jazz guitar. If I would buy an organ trio record I would make sure I'd buy one that did not have a guitar player on it. The sound was awful!
The trio is the biggest sound you can have with the smallest unit.
If I can get that DAM trio back together again - "get the band back together" - and put on a concert of David Bowie's electronic music, that's the way I want to remember David, moving forward into the future of music.
It was so soon after I'd had my son and I really wasn't planning on going back to work for a while. I will walk over hot coals to work with Bill Condon on anything, the experience that you have with him is just too good... I've certainly never worked with him before so the trio of Bill [Codon], Ian [McKellen], and Sherlock Holmes, and England: it was too much to say "no" to.
When I joined the trio, it was as if I was capable of driving a sports car at 60, but Ray Brown and Oscar Peterson just kept pressing the pedal down, and I was trying to control the car at 80!
There is a diabolical trio existing in the natural man, implacable, inextinguishable, co-operative and consentaneous, pride, envy, and hate; pride that makes us fancy we deserve all the goods that others possess; envy that some should be admired while we are overlooked; and hate, because all that is bestowed on others, diminishes the sum we think due to ourselves.
Psy Free was a trio consisting of guitar, organ and drums. I was the drummer. We did what the name suggests: psychedelic, free music.
The cause of freedom, in music as elsewhere, is now very nearly triumphant; but at a time when its adversaries were many and powerful, we can hardly imagine the sacred bridge of liberty kept by a more stalwart trio than Schubert the Armorer, Chopin the Refiner, and Liszt the Thunderer.
Indecision, doubt and fear. The members of this unholy trio are closely related; where one is found, the other two are close at hand.
It's the most natural progression for me to becoming a singing sensation next. And so many people have offered to be on it. Eddie Van Halen... and Prince, Madonna and Cyndi Lauper will probably be a backup trio.
I seldom play in a trio, but acoustic music is likely to be lighter, quicker, and quieter.
Most of my records are very dense, composition-heavy, and there's bits of different kinds of music like an acoustic ballad, instrumental trio pieces, and vocal tracks.
Once I had the band, Jason [Moran] and John [Patitucci] and Eric [Harland] - it's very exciting to have that trio of just world-class guys - I already knew it was going to be fantastic. I didn't really tell them anything about it. They didn't know what they were going to play beforehand.
The three most charismatic leaders in this century inflicted more suffering on the human race than almost any trio in history: Hitler, Stalin, and Mao. What matters is not the leader's charisma. What matters is the leader's mission.
In the native world, major gods come in trios, duos, and groups. It is the habit of non-natives to discover the supreme being, the one and only head god, a habit lent to them by monotheism.
We recorded that trio and it's out on the Knitting Factory label. I've got another record in the can with that group and Marc, which I'll hopefully finish some time before next summer.
I was a bicycle messenger when Alkaline Trio was formed as a way to make ends meet and I've just always been a cyclist and then I got really into - through messengering - I got really into road bikes and fixed gears.
You can think of a painter as a trio - the artist, his talent and his muse, the last two always on the lookout for a new brush man.
Charles Pierce, Bea Arthur, and I were like a terrible little trio.
It's quite a trick to use three instruments to tell the story of two people, but Vores carried it off; three, for once, is not a crowd. Each member of the trio gets important solos, but there is also a real ensemble character.
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