Well, TV series tie you up. You can't do films while you're doing a TV series.
They all matter to me, whether I'm working on a Sam Jackson film for a week or I'm the star of my own TV series - I take it all very seriously, and I have a healthy respect for the work in general, despite the role.
When I need to relax, I love to go to the movies or watch a good TV series. I also practice a lot of sport, mostly tennis and swimming.
More American young people can tell you where an island that the 'Survivor' TV series came from is located than can identify Afghanistan or Iraq. Ironically a TV show seems more real or at least more meaningful interesting or relevant than reality.
You have to do every movie one at a time. Trilogy is contrary to this ideology. My nightmare is to wake up and find myself the host of a TV series.
I could make Basic Instinct 16. If guys will keep thinking I'm hot, I might turn it into a TV series.
I stopped directing in 2001 for - oh, damn - four or five years, until I did the TV series 'Masters Of Horror.' I had been working steadily as a director since 1970. That's a long time. I was burned out.
And often when things turn to TV series there are so many different people with different agendas that things can morph. And so, you know, that was why having the executive producer title was important to me because even if I was the star and I had a concern, you know, that concern would only go so far. But having the title of executive producer actually makes them have to actually listen to me complain.
Like stories, people have individual lives, and are all caught up in this murky thing. All of them have the best intentions. In that sense, you could just as easily tell the same story from another character's perspective. Maybe that's a good idea for a TV series.
If I ended my career, I wouldn't mind doing a TV series if it was a western and I played a mute gunfighter so I wouldn't have to remember lines every week.
In order to have a TV series, you have to have a good idea for the story.
A good biography is the richest experience. When you watch a TV series together with someone is like being in a novel with them.
Michael [Douglas] was just leaving the TV series The Streets of San Francisco and he said, 'Dad, let me try it.' I thought, 'Well, if I couldn't make it...' So, I gave it to him and he got the money, the director and the cast. The biggest disappointment for me, I always wanted to play McMurphy. They got a young actor, Jack Nicholson. I thought, 'Oh God. He will be terrible.' Then I saw the picture and, of course, he was great in it! That was my biggest disappointment that turned out to be one of the things I'm most proud of because my son Michael did it. I couldn't do it, but Michael did it.
I've worked in the theater, television, and films. A five-hour TV series is certainly more time than a character I'd be playing in a film.
People have really long attention spans, and they love complicated plots. TV series are giving the audience what they want.
If someone can watch an entire season of a TV series in one day, doesnt that show an incredible attention span?
In my opinion, visual effects are great when it compliments a good story, and action is great when it compliments a good story, but just to have them for the sake of having them, it gets a little boring, especially if you're talking a TV series. At least with a movie that's an hour and a half to two hours, you see it and you're impressed, and then you're out. With a series, if it's only that, week after week after week, there's nothing there to bring you back. You have to get invested in the characters and care about them and want to follow them.
I never really watched the TV series.
Every episode [in a TV series] is a challenge, and what's challenging in most episodes is the monster. You're always a heartbeat from the monster looking ridiculous. You really have to work so hard to make them not look like ridiculous when they turn up on the set.
The character and the actor in a long-running series slowly become one. I think there must be funny stories about actors who, in the pilot for a TV series, did some weird thing with their eyes, or some speech impediment or something, and the next thing you know, it's eight years later, and they're still doing that freaking gag.
Ive been on one TV series after another. None of the network decisions have ever made sense to me.
The wrap party for the 'Lorna Doone' TV series was pretty special. We went to about four clubs, then four people's houses, and I got home at midday the next day. I'd been wearing ridiculous green shoes all night, and the dye had smudged all over my legs.
Sometimes you can do certain things on stage, or even in a TV series, and people see the look on your face and they know what you mean, so you can get away with certain things. But if you can't create that look on an animated character, which is essentially a puppet, the line will hit the audience in a very bad way.
I want to get into movies, not just TV series.
Luckily, I have been offered the chance to play a South American, Hispanic and even a character from the Middle East in films. There are also a lot of TV series in the U.S. that have a strong presence of actors from India.
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