We have wished, we eco-freaks, for a disaster or for a social change to come and bomb us into Stone Age, where we might live like Indians in our valley, with our localism, our appropriate technology, our gardens, our homemade religion-guilt-free at last!
There are peaks, there are valleys. But they're all kind of carved and smoothed out, and it feels like a low level of despair you live in. Where you're not getting any answers, but you're living OK. And you can smile at the office. You know? But it's a low level of despair. I was on Prozac for a long time. It may have helped me out of a jam for a little bit, but people stay on it forever. I had to get off at a certain point because I realized that, you know, everything's just OK.
Although most people spend their entire lives following this biological impulse (i.e. the sex drive), it is only a tiny portion of our beings. . . . If we remain obsessed with seeds and eggs, we are married to the fertile reproductive valley of the Mysterious Mother but not to her immeasurable heart and all-knowing mind.
Mine is the time of foliage, When hills and valleys teem With buds and vines sweet scented, All clothed in glowing green. My nights are bright and starry, My days are long and clear And truly I'm the fairest, Of all months in the year.
... Even though I walk through the valley of the shadow of death, I fear no evil, for You are with me... Surely goodness and love will follow me all the days of my life, and I will dwell in the house of the Lord forever.
A whale is as unique as a cactus. But don't ask a whale to survive Death Valley. We all have special gifts. Where we use them and how determines whether we actually complete something.
Up there on Huckleberry Mountain, I couldn't sleep ... As the sky broke light over the peaks of Glacier, I found myself deeply moved by the view from our elevation - off west the lights of Montana, Hungry Horse, and Columbia Falls, and farmsteads along the northern edge of Flathead Lake, and back in the direction of sunrise the soft and misted valleys of the parklands, not an electric light showing: little enough to preserve for the wanderings of a great and sacred animal who can teach us, if nothing else, by his power and his dilemma, a little common humility.
Better guide the young than reclaim them when old For the voice of true wisdom is calling "To rescue the fallen is good, but tis best To prevent other people from falling" Better close up the source of temptation and crime Than deliver from dungeon or gallery Better put a strong fence round the top of the cliff Than an ambulance down in the valley.
The feel of a canoe gunnel at the thigh, the splash of flying spray in the face, the rhythm of the snowshoe trail, the beckoning of far-off hills and valleys, the majesty of the tempest, the calm and silent presence of the trees that seem to muse and ponder in their silence; the trust and confidence of small living creatures, the company of simple men; these have been my inspiration and my guide. Without them I am nothing.
Jumpy is the most incredible animal of all time. The movie [Valley of Violence] is the tamest example of what that dog is capable of.
Sometimes I look at it [Valley of Violence] and go, "How did we do that?" But it's a credit to Ethan [Hawke], he had done White Fang, so Ethan is like, "Oh God, that's right."
Toby [Huss] gets shot, or that part when [John] Travolta says this, or the part where Ethan [Hawke] says that cool thing - those details are the things that are interesting to me. So just acknowledging we don't have a lot of money [for Valley of Violence], so we're going to make a Western that's kind of contained, but we're going to make it super charismatic and we're going to make it memorable for what it is as opposed to what we couldn't afford.
It is a very classic Western [Valley of Violence], and if you like Westerns, you'll like this movie, but there's a tone to it that's all its own that I think is unique and memorable.
[Valley of Violence] was written for James Ransone. PJ's a friend of mine, I've known him for a long time, he's always like, "Dude, when are we going to make a movie together?" I finally called him.
You want to be able to say [to Ethan Hawke's character], "Dude, it's okay," but maybe it's not. Maybe he's not a good person. I don't know. That's the thing about people. There is no real good guy or bad guy [in A Valley Of Violence]. It's all context.
I think the hardest one had to do with suffering. It had to do with all of our church members and friends passing through difficult times. Sometimes it's the global climate: tsunamis, earthquakes, radiation. I think these kinds of questions are absolutely the most difficult, yet we need to be ready to respond to them because we have to be able as pastors to walk people through these valleys, these tough times in their lives.
That's what we do when we work in Silicon Valley tech startups: We think about who's going to benefit from this. That's almost the only thing we think about.
There is a peak and valley to careers and that includes fame. If you are lucky to ride this wave of fame to a plateau - it won't last there. I guess it is just a blue-collar work ethic that I was raised with.
It was just on a whole other level, getting to experience and ride that terrain. We spent a fair amount of time in the Hakuba Valley.
[Ronald Reagan] called the image of [George] Washington praying on his knees in Valley Forge "the most sublime image in American history."
I noticed some time ago that neither of the candidates are quoting the founders. If they are, they're doing it so rarely that I haven't noticed, or enough to be negligible. Certainly, neither is invoking the image of [George] Washington at Valley Forge or the Shining City Upon a Hill. In addition to this being true for John McCain and Barack Obama, it was true for Hillary Clinton as well.
When I started escaping to a neighbor's house to watch what I darn well pleased, it turned out to be The Big Valley. Every afternoon my friend and I would pour grape juice over mounds of ice cream and settle in to see what was happening with Barbara Stanwyck and Linda Evans and the boys in The Big Valley.
I was with George Washington at Valley Forge, sitting around before an attack... gimme a break. That's over 70 years ago already.
I wrote [Valley of Violence] entirely with James Ransone in mind. I get such a joy out of watching his performance and seeing people watch this. He's so great. The bravado thing and the foolishness, he does them both so well. It's weird because he's so hateable in the movie, but in the end, you're also going, "I feel bad for him." That's hard to do. It's hard to do that to where you're like, "This guy's the worst, but I know why he's the worst, so it's a shame this is happening." That's the whole thing.
I don't think you want to preach to people. I don't think In A Valley Of Violence, and the same with The Sacrament, there's a social commentary and a political element to both the films, but it's not like, "Think this because I think this."
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