Death is woven in with the violets,” said Louis. “Death and again death.”)
Violet, the Dowager Countess: “I mean, one way or another, everyone goes down the aisle with half the story hidden.
Where shall the lover rest, Whom the fates sever From his true maiden's breast, Parted for ever? Where, through groves deep and high, Sounds the far billow, Where early violets die, Under the willow.
Twisting and wiring and stringing starching and curling, delicately painting spots and shadings on scraps of silk until what had been nothing more than a pile of brightly colored fragments had been transformed into the silk irises, forget-me-not, violets and roses that would adorn the hats of women and girls more fortunate than themselves.
Don't order any black things. Rejoice in his memory; and be radiant: leave grief to the children. Wear violet and purple. Be patient with the poor people who will snivel: they don't know; and they think they will live for ever, which makes death a division instead of a bond.
When daisies pied and violets blue And lady-smocks all silver-white And cuckoo-buds of yellow hue Do paint the meadows with delight, The cuckoo then, on every tree, Mocks married men; for thus sings he, Cuckoo; Cuckoo, cuckoo; O, word of fear, Unpleasing to a married ear.
Elizabeth Taylor is, in my opinion, the greatest actress in film history. She instinctively understands the camera and its nonverbal intimacies. Opening her violet eyes, she takes us into the liquid realm of emotion, which she inhabits by Pisces intuition. Richard Burton said that Taylor showed him how to act for the camera. Economy and understatement are essential. At her best, Elizabeth Taylor simply is. An electric, erotic charge vibrates the space between her face and the lens. It is an extra-sensory, pagan phenomenon.
The violet sea longs for the birth of gods, for to be born here is an unspeakable feast, a drumroll of commanding retinues and tritons.
The bed of flowers Loosens amain, The beauteous snowdrops Droop o'er the plain. The crocus opens Its glowing bud, Like emeralds others, Others, like blood. With saucy gesture Primroses flare, And roguish violets, Hidden with care; And whatsoever There stirs and strives, The Spring's contented, If works and thrives.
My palette contains a warm and cool of each primary, plus four modifiers: Yellow Ochre, Burnt Sienna, Blue-Violet and Phthalo Yellow-Green just mix as I go for each painting.
A gift of flowers to a woman implies that she is as deliciously desirable as the blossoms themselves; but there may be another and hidden message, contained in the old-fashioned phrases like 'shy as a violet, 'clinging vine,' not originally conceived as pejoratives, that tells more of the truth - which is that flowers are also emblems of feminine submission.
At present I absolutely want to paint a starry sky. It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens. If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance. And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky.
Anyone who knew Violet well could tell she was thinking hard, because her long hair was tied up in a ribbon to keep it out of her eyes. Violet had a real knack for inventing and building strange devices, so her brain was often filled with images of pulleys, levers, and gears, and she never wanted to be distracted by something as trivial as her hair.
I don't think it had ever occurred to me that man's supremacy is not primarily due to his brain, as most of the books would have one think. It is due to the brain's capacity to make use of the information conveyed to it by a narrow band of visible light rays. His civilization, all that he had achieved or might achieve, hung upon his ability to perceive that range of vibrations from red to violet. Without that, he was lost.
Huamns, uregulated, are cruel and capricious; violet and selfish; miserable and quarrelsome. It is only after their instincts and basic emotions have been controlled that they can be happy, generous, and good.
We say This changes and that changes. Thus the constant Violets, doves, girls, bees and hyacinths Are inconstant objects of inconstant cause In a universe of inconstancy.
Most gladly would I give the blood-stained laurel for the first violet which March brings us, the fragrant pledge of the new-fledged year.
Then you hold life like a face between your palms, a plain face, no charming smile, no violet eyes, and you say, yes, I will take you I will love you, again.
Though she hated to stop kissing, Luce held Daniel's warm face in her hands. She gazed into his violet eyes, trying to draw strength. "I'm sorry," she said. "For running off like I did." "Don't be," he said,slowly and with absolute sincerity. "You had to go. It was preordained; it had to happen." He smiled again. "We did what we needed to do,Lucinda." A jet of warmth shot through her,making her dizzy. "I was starting to think I'd never see you again." "How many times have I told you that I will always find you?
At night... the streets become rhythmical perspectives of glowing dotted lines, reflections hung upon them in the streets as the wistaria hangs its violet racemes on its trellis. The buildings are shimmering verticality, a gossamer veil, a festive scene-prop hanging there against the black sky to dazzle, entertain, amaze.
Voluptuous bloom and fragrance rare The summer to its rose may bring; Far sweeter to the wooing air The hidden violet of spring. Still, still that lovely ghost appears, Too fair, too pure, to bid depart; No riper love of later years Can steal its beauty from the heart.
In kindly showers and sunshine bud The branches of the dull gray wood; Out from its sunned and sheltered nooks The blue eye of the violet looks.
Here eglantine embalm'd the air, Hawthorne and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and nightshade, side by side, Emblems of punishment and pride, Group'd their dark hues with every stain The weather-beaten crags retain.
In a corner of the churchyard grew a plantation of white violets, enormously plump and prosperous-looking. ... I saw the dead stretched out under me in the earth, feeding these flowers with a thin milk drawn from their bones.
Many books belong to sunshine, and should be read out of doors. Clover, violets, and hedge roses breathe from their leaves; they are most lovable in cool lanes, along field paths, or upon stiles overhung by hawthorn, while the blackbird pipes, and the nightingale bathes its brown feathers in the twilight copse.
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