That non-attachment gives us the freedom to be exactly who we are.
I consider myself a realist who wants to stand up for women's voices, not when they try to be the same, but when they stand up for who we are and what we see and how important it is that our voice is heard.
Yeah, unfortunately [ films like Miss Julie are a dying breed]. And that is sad, because we need these. Like we need books, we need classical music, we need ballet, we need opera, to remind us really of who we are and why we are, and we need in movie houses - even to be in a movie - where you sit and see not only excitement and man-hero, woman-hero, you need quietly, just like that Hawking movie we talked about, to know how people overcome.
Five hundred years later we're still doing it. This is a moment where we're either going to reaffirm that's what we do [with Native Americans ], that's who we are, or we're going to start moving toward change. A change won't come easy, because there's a lot of big money that doesn't care about any of this.
When we fail to live up to our ideals, for instance, we might begin to wonder who we are - most people are aware of a discrepancy, I think. There are idiosyncrasies and foibles, but we're not sure if these are essential. Some people think they are the most essential things of all.
I have a very simple mantra and it's this: I want to make black cinema with the power, beauty, and alienation of black music. That's my big goal. The larger preoccupation is how do we force cinema to respond to the existential, political, and spiritual dimensions of who we are as a people.
As women, we need to embrace our bodies and be confident with who we are.
I never did like the assertion of the "innate" inferiority or women or Blacks, and I understood that when people tried to talk that way, they were trying to "fix" a social reality into a natural necessity. And yet, sometimes we do need a language that refers to a basic, fundamental, enduring, and necessary dimension of who we are, and the sense of sexed embodiment can be precisely that.
I think music is such an extension of who we are, and the fact that I've gone through as much as I have, good, bad, and ugly, has really helped to shape the songs that I picked.
For America to get more entangled militarily in Syria is a serious step, and we have to do so making absolutely certain that we know who we are helping; that we're not putting arms in the hands of folks who eventually could turn them against us or allies in the region.
I've learned to become a progressive man because I have four women in my life. And their mother, who I'm not married to anymore, but who impresses me because of our relationship. Because we have a very deep and friendly relationship that is completely about who we really are now. Before it was husband, wife, mother, father. But now it's about who we are as human beings. Because we didn't give up on each other. And because we didn't hurt each other and blister each other from a divorce. We became tight. Best friends. And more than that even, because now we're best parents.
We may encounter many defeats, but we must not be defeated. It may even be necessary to encounter the defeat, so that we can know who we are.
I think the right way to do this is just to step up and do it, so I actually think we'll see more of that over the next coming weeks, because I think they'll say, "We'd like to be good for business and quiet on politics, but this is too urgent, it is too much of a key crisis in who we are going to become as Americans. We can risk too much, and so we have to step forward." And I think you will see more and more people stepping forward, like Howard Schultz, Steve Case and other folks, in order to try to make a difference in this [Donald Trump] election.
For me, as a documentary filmmaker, I'm interested in telling stories of real people whose experiences tell us something about ourselves or our history, or who we are and our potential.
In my view, [Vladimir] Putin despises the West in general and the United States in particular, both for who we are, our liberal values, and for what we`ve done, which is to take down the Soviet Empire.
It's a false illusion that we wake up thinking of who we are in terms of identity and that we are stuck in the boundaries of who we are nationalistically.
We love displays and symbols and stuff that quickly and silently tells the world who we are. Better yet, we love visual reminders of who we want to be.
What we wear is the shell of who we are.
Everything in life opens and closes, sheds and renews. We are no different. Listening in its endless forms is the way we stay open, the way we stay in relationship, the way we refresh who we are and what we're doing here.
Who God is and what Christ did have huge implications for who we are personally and what we desire sexually.
We build our lives in moments, and even the ones we can't remember become the story of who we are.
If you're paying attention to human interactions - to the gap between who we are and who we think we are, or the gap between what happened and what we remember - you're going to end up thinking (obliquely or otherwise) about what it means to act ethically, and I think that's all to the good.
There are moments, it would seem, that were created in cosmic theater where we are given strange and fantastic tests. In these times, we do not show who we are to God, for surely He must already know, but rather to ourselves.
Beloved community is formed not by the eradication of difference but by its affirmation, by each of us claiming the identities and cultural legacies that shape who we are and how we live in the world.
While we have come a long way since the Stonewall riots in 1969, we still have a lot of work to do. Too often, the issue of LGBT rights is exploited by those seeking to divide us. But at its core, this issue is about who we are as Americans. It's about whether this nation is going to live up to its founding promise of equality by treating all its citizens with dignity and respect.
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