I'm always intrigued by people that listen to my music, I just naturally want to get to know people who listen to my music because people who end up having such an attachment with my stuff, I wonder why they have such a connection to something that's so personal to me in the first place.
I knew as a young boy that addiction and alcoholism afflict people - good, loving people - in profound ways, and that some people - usually from those rare "normal" families that I longed for as a child and as an adult wonder if they even exist - didn't understand this and sort of looked down their noses at people suffering with addiction.
I've been asked if I'd consider doing Ropes as a straight novel - which is flattering, I suppose - but I can't imagine why I'd want to limit myself that way. There's a certain immediacy we gain from that specific image of Fred being struck by a revelation, of those union workers appearing from the shadows in an alley, of a lonely woman wondering for just a moment if she should make a pass at this young man in her hotel room
My life in general, orderly or not, it allows me more freedom in my own writing. Sometimes I wonder, though - I have friends that sit around and just write all day. And I think it's the coolest thing.
With migration [in Europe] you look at the lines and you look at the tremendous amount of young strong men in these lines and you wonder what is going on?
I'm wondering if the crew [from'The Hateful Eight'] had some sort of nickname for me. I am blanking at anything truly funny, so I'll just say, 'No Phone Quentin'.
Every day at about four o'clock, I would go up to a farmhouse - or whatever kind of house was around - and knock on the door and say, "Hi, I'm biking across Canada, and I'm wondering if I could pitch my tent on your land." And sometimes people slammed the door in my face, but the vast majority of the time they said, "Of course," and then they said, "Come for dinner," and then they packed me food the next day and fed me breakfast and sometimes they got out the bottle of wine they'd been saving for a special occasion.
For a really long time [before writing the novel], I was watching a lot of serial killer movies and I started to wonder if this was a trend and if other people were doing the same thing. That's what happens when you suddenly have a critical perspective on your own behavior.
In fact I wonder if I should bend my own rules a little and for the sake of writing a good song it doesn't have to been so autobiographical, but that's a stupid rule to live by as some of my favourite artists' songs, they have a song that you think is about their life [which] probably even isn't, but it's a great song.
I lived in Detroit until I was six. My older sister was living with us, and she listened to the Ohio Players and Stevie Wonder, so I grew up listening to stuff like that.
Mostly, the people in "the room" are paid lobbyists representing interests that could afford to pay them. No wonder policy isn't being made that helps smaller, independent musicians or those unaffiliated with a larger entity.
Famine, plague, death and war... that's a pretty good description of 1917-18. The war was meant to end quickly, but by 1917 it seemed to be set until the end of time. No wonder everyone dreamed of an apocalyptic intervention.
I'm at that age where I notice friends checking out my face and wondering, Has she been Botoxed? There's a new map there people that are trying to read. I think if I did get any kind of enhancement I would be very public about it. I don't want people wondering - I want them to know.
I liked sharpening pencils and I was like, "Oh, I wonder if I could get paid to do it." And I figured it out and I did it.
I'm glad that Jewish kids are taught about the Holocaust and other stories in our history, but I wonder if there are ways that this information and narrative can be transmitted differently.
I admire narcissism in Momus and others who "own" it and use it as a way to explore ideas/themselves and also as a form of humor. I don't think of myself as narcissistic, but I'm definitely incredibly self absorbed. I guess I wonder if seeing the world through the lens of yourself is necessarily less valid than other ways of thinking/seeing though.
One thing about having mostly absent parents that I think was perhaps "good" for the development of my intellect/writing is that I was given almost total freedom to read/write/look at whatever I wanted. I wonder a lot about how my past experiences, particularly my negative childhood (home life and being severely bullied/ostracized throughout school) as formed my/my thoughts/my writing, though I should also note those things were far from the only thing that had an impact on me/my writing.
There are more than a few messages from lonely people wondering why they never find themselves described...I illustrated one, "How come no one ever misses me?" They kill me, those.
Being from New York, I wonder why am I inspired by bluegrass and Earl Scruggs? But when I look at the whole history of the banjo, I feel really good about it, including the Earl Scruggs part.
When you read the poem, you wonder, what might Grendel have been? Could it have been a person that was turned away? Someone that was disfigured or deformed? Like everything else did, it came from somewhere. It's really exciting, and not knowing is part of the magic and mystery.
It makes me wonder sometimes. Remember a couple years ago, when Mexicans went on strike? It was talked about a little bit but not that much. But some old white people, and there aren't even that many, they put bonnets on, and then they control the news.
I used to wonder: Is Huxley right or is Orwell right? It turns out they're both right. First you get the new world state and endless diversions as you are disempowered. And then, as we are watching, credit dries up, and the cheap manufactured goods of the consumer society are no longer cheap. Then you get the iron fist of Oceania, of Orwell's 1984.
You are always kind of suspicious that there's a better life out there for you no matter what it is - and obviously being in a band for me was always what I wanted to do, it's the only thing that I can do, it's the only thing that gets me up in the morning, but you can't help but wonder what else you'd be doing if you weren't in the band.
My mother always tells me, "Fear isn't from God," and I believe that. But sometimes, I wonder whether I'll be able step into the shoes that God has prepared for me.
Stop trying to figure it out. I love puzzles, but when I'm done putting together a puzzle, I feel accomplished, and then I wonder, "What's next?" Then I go start another puzzle. Life is a puzzle that I feel like we'll never fully put together. And I like that because, ultimately, I don't want to have life figured out and then wonder, "What's next?" That seems scary to me.
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