I've always been very politically interested from a very young age and I hadn't felt that was something I could begin to bring into my songwriting because I hadn't felt I'd reached the stage, that I had the skill with language enough, yet, to do that.
I've heard so many stories of Jared [Kushner] being groomed from a very young age - really, from from when he was a child - to be playing a prominent role in the business world, in sort of the elite world - in elite circles.
Anyone who hears enough laughter and applause at a young age will become an actor, whether they intend to or not.
As a Canadian it's something you grow up with. Where I'm from in Canada the ground usually freezes in late October and the lake is frozen until late March. We learn to skate at a young age and I learned to skate when I was three. I was on an outdoor rink when I was three-years-old.
Halloween has always been fascinating to me from a very young age. I think any actor would be fascinated by Halloween because it's one of the only holidays that advocates dressing up in makeup and costumes and transforming oneself.
When I was at school, I was in choirs more than anything else, from a very young age, about 9 years old. And then I started taking drum lessons.
The experience of playing music at a young age really opens up one's mind to different melody in life itself, literally - like, when you've even played a recorder, or whatever, it becomes a lot easier to hear the beauty in a bird's song, or the quiet tune in a gentle rustle of the wind.
I think I will always feel a special relationship with The Umbrellas of Cherbourg, because for me it was something very, very special. It was a modern opera, and to play the heroine in a film that became such a success at a young age, and learning from him when I was so young and impressionable - really it was one of my most important experiences.
In personal conversations between director and actor, the male directors that I've worked with are just as emotional. Maybe it's because I had to start having very intimate conversations with adult men at a very young age in order to get the work, but I'm really comfortable with dudes. I mean, we push boundaries in this business in terms of getting to know people.
I knew at that young age that going to the Bureau of Indian Affairs was useless, absolutely useless. I grew up having no faith in the bureaucracy of government.
The most important thing in convoluted families, I learnt as I wrote, is that the child feels loved. I knew from a young age that I was a problem which required constant solving; but I never felt unloved. I was lucky.
Cousins are people that are ready made friends, you have laughs with them and remember good times from a young age, you have fights with them but you always know you love each other, they are a better thing than brothers and sisters and friends cause there all pieced together as one.
It is hard to think of conversion as a blinding light on the road to Damascus, or as a highly spiritual or intellectual process, when the light comes from a flickering television; the voice of the deity is Bishop Sheen and you have drilled your father on his catechism answers...I was troubled at a young age by the idea that pouring water over someone's head could change both his relationship to God.
The mind is trained from a very young age to think that life moves from one worry to the other or from one pain to another, never from one joy to another. If you feel there is something wrong with what you are seeing, then you should look back in at yourself because what you see outside is only a reflection of what is inside you.
I was never that famous, but I do think going to college and really getting away from the business and taking a true break is incredibly, incredibly important if you start acting at a young age.
I have sketched since a young age, so there's always been an artistic side, a visual side to my personality.
From a very young age, I liked to take apart things. All of my Christmas gifts would wind up in a million pieces. I actually recall taking apart my dad's lawnmower three times to understand how combustible engines work.
I was born in Iran, left at a very young age - less than a year old - and grew up and was educated in the West.
I was taught from a young age that as a teacher, especially a male, you are to never be alone with a female, or even a male student.
I'm working with a lot of legends who are brilliant who are people I've looked up to from a very young age.
I played didgeridoo from a young age - on the vacuum cleaner, initially.
From a very young age, I was singing and acting and performing for my family.
We have to instill in them the skills they need to succeed at a young age and open up their imaginations to the very real opportunities they can be afforded if they put their minds to it.
In WWE there's a huge degree of acting you need to have to become legendary, to become popular. You have to become a great actor in WWE and that's something I've honed from a young age. I could never be the biggest guy on the show when I first started wrestling; it was all about the giants. But I could have the biggest personality, the biggest character.
One Mongolian leader became a very, very brutal dictator and eventually became a murderer. Previously, he was a monk, and then he became a revolutionary. Under the influence of his new ideology, he actually killed his own teacher. Pol Pot's family background was Buddhist. Whether he himself was a Buddhist at a young age, I don't know. Even Chairman Mao's family background was Buddhist. So one day, if the Dalai Lama becomes a mass murderer, he will become the most deadly of mass murderers.
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