Interviewer: 'So Frank, you have long hair. Does that make you a woman?' Frank Zappa: 'You have a wooden leg. Does that make you a table?
People like Frank Zappa were amazing for us Brits.
But I mean, again, Zappa's far more musical than the Bonzos ever were.
We are not a Zappa cover band. We only play Frank's songs that were recorded by the Mothers of Invention and I think a lot of those songs were complex.
Frank Zappa... was Beethoven for insane rock guys.
The hardest and worst interview that I have ever done was with Frank Zappa.
I got married about three years ago again to a wonderful German woman. Her name is Monika and she is beautiful. She is one of the biggest women Zappa fans I have ever met in my life.
Jeff Beck is my idol .. sometimes he finds notes that I just do not have on my guitar. Frank Zappa's another one .. I loved Frank Zappa ... I do think Van Halen reinvented the guitar ... he's an excellent musician, a shrewd guitarist and as a person he's wonderful.
The mother of invention in music is necessity, not Frank Zappa!
I think there's plenty of room, even in the most serious activist circles, for humor. Humor can be very effective both to inspire, and as a weapon. Just ask Frank Zappa and Charlie Chaplin.
American culture has a lot of great moustaches in its history. Mark Twain had a great moustache, Charlie Chaplin, Ben Turpin ... but Zappa, he's got the best moustache in American history. Got the moustache, right, and he's got that little thing on his chin, I think it's called an imperial, that is, like, the coolest thing. That's like one of the great icons of the twentieth century.
Frank Zappa was one of the gods of the Czech underground, I thought of him as a friend. Whenever I feel like escaping from the world of the Presidency, I think of him.
One of my pet peeves is that sometimes the talents of my band get overlooked because, and it was the same problem that Frank Zappa had, with a lot of groups that use humor, people don't realize there's a lot of craft behind the comedy.
I'm one of those people who sees Frank Zappa in a cup of coffee, or elephants wrestling in clouds. But also, conscious creation of all kinds moves me.
I'm moved by us, our quirks and mistakes. I find inspiration in everything from a piece of art to the hem of a dress. I'm one of those people who sees Frank Zappa in a cup of coffee, or elephants wrestling in clouds. But also, conscious creation of all kinds moves me. And a divinely expressed performance in any genre sets me completely on fire.
I chased every band around the world. Frank Zappa and The Mothers Of Invention, you name it. I could just go on and on. It was my hobby, my pastime, and my obsession for several years.
Somebody under 30, if the name Frank Zappa came up, they would just say, "Who?" To me that didn't sit well, because I felt my dad's accomplishments in music should be better known, not just in a popular way, but better understood.
The first time I ever went to Chicago was with Zappa and I had a fantastic experiences with him and every other band I've played with. It's a great music town.
Some great experiences I've had and little by little I've come to the realization that everything Frank Zappa told me was the truth, whether I wanted to believe it or not. You know, I was young and naive or in denial. But he really was a special, special human being.
I'm not Zappa, you know. I'm just Terry.
I think the thing that I got most from working with Frank Zappa is that I was able to see someone who completely independent. The most beautiful thing about Frank was that he was completely in the moment and present and eternally creative.
When Frank Zappa would get an idea for a song, he just did it. He didn't wait for anybody or expect anyone to do it.
There was a lot of camaraderie among the bands. I remember a lot of times when I'd be driving up Laurel Canyon and pass by the house where Frank Zappa was living and I'd just see people out on the porch playing guitars.
My obligation is to release the music the way Frank [Zappa] released it.
Frank [Zappa] always wanted to do a sound library - he sampled so many great musicians. For piano, for example, he sampled every octave, not just one (that you could just transpose electronically), and he did all different types of attack, with and without pedals, all that kind of stuff.
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