After Lock, Stock, all these really nasty small town characters came knocking at my door trying to tell me stories, and somehow I ended up with this guy whose brother was feeding people to pigs, and that's what he did to get rid of people.
I do hear snippets on the radio. I do hear a little bit of me, sometimes great chunks of me. But I have to take that as a compliment; there's no way you can get sour grapes about that. But if somebody starts taking your whole new thing lock, stock, and barrel, and do their own version of it before you do it, that's not on.
Previously, on Lock, Stock, I went to bed at two in the morning and woke up at five in the morning, and on this one I was known to nod off on the set occasionally.
People say, 'I love 'Snatch,' I love 'Lock Stock,'' but I want to be more than a movie name. I'd love to be more of a household name.
You want to be appreciated for all your work as opposed to one performance, but I'll always be 'that bloke from 'Lock, Stock'.' You've got to embrace it.
Death and life were not Till man made up the whole, Made lock, stock and barrel Out of his bitter soul
I don't think a day has gone past in 10 years where someone hasn't said, 'What did you do with those guns from Lock, Stock?' And there's pretty much not a week that's gone by where someone hasn't got me to say, 'It's a deal, it's a steal, it's the sale of the f**king century.' Apart from that I get, 'You were brilliant in Notting Hill,' because I look vaguely like Rhys Ifans.
or simply:
