I don't like balance. Balance is not a word you can use in Versace fashion.
You can't pretend that everybody likes Versace. It would be boring. It's better to create a reaction than to create no reaction. That's dangerous.
Versace! Versace! Versace! Versace! Versace! Versace! We love Versace. Versace is the greatest designer of all time!
Versace pythons. Louis Aviators. Balenciagas & they gotta be the gladiators.
How enlightened is wearing God like some do Versace?
Honest to god, Clare, you act like the dress is more important than you being shot!” Of course it is! It’s a Versace, you idiot! Bring help! I’m going to save this dress at all costs.” - Sam to Clare
And somewhere in heaven, Versace sheds a single, perfect tear.
My obsession when I was kid, from '85 into the '90s, was Gianni Versace. It was Helmut Lang. It was Margiela. So I said, "I cannot have Givenchy only as a luxury house; I'm going to introduce products for everybody, things that are reachable."
For so long Versace couture was identified with celebrities and music, which I love. But at the same time it could overwhelm the clothes.
I have never been skinny. The thing is, I was in an industry where being athletic was not celebrated. I have friends who are supermodels, and I never had that body. I've never been asked to walk in a Versace show. I was doing the covers of the magazines while they were cruising the clothes down the runway, and then they'd bring me the clothes and I'd have to photograph them.
Before we ever finished shooting, there were things going on. For instance we always had different fingers exposed in our gloves, and always latex and black. And that Versace collection that hit the runway in the spring, we went, "Oh my gosh!" and then they came out and said it was "Tron" inspired. I love it! To me, there are no insults in that whatsoever. I love that other people are inspired by the movie.
I was Versace's muse, I was Valentino's muse, I was Alaia's muse, Lancetti's muse, Calvin Klein's, Halston's. I could go on and on.
Versace has always been a brand that I've loved, a brand that has supported me. I've been wearing Versace for so long, I come in here and I have friends here, and they really support what it is that I do. Our partnership has been great.
I'm always fighting either to have a house work with us or to head a house. It's a lifestyle I can totally see: the future, modern Versailles, modern Versace, modern Calabasas, paparazzi, celebrity language. I just want to build a collection that's around me and my wife and my kids.
I love Dolce & Gabbana. I love Versace. I love the crazy, more eccentric stuff.
I am totally, completely, 100% in love with fashion. I would wear Chanel gowns to the grocery store if I could. I'm a huge fan of Chanel and Versace, and I actually have always dreamed of designing my own line one day.
When I worked with Gianni Versace at the end of his life, I was the person with whom he would confide and say anything. If there was something I didn't like, I would be honest and say, "No, no, no! Do something different."
What I very much admire about the Versace maison, and what I am still trying to learn to do myself as I am still young, is that from day one until today, Versace is the peak of sexy but never crosses that red line into the vulgar.
I always drew dresses. I remember loving Richard Avedon's early Versace campaigns. I used to plaster my whole walls with them when I was a kid.
For me, aesthetically, Donatella Versace represent what the Italian woman is. There is always the American rock thing, the aristocratic, above-the-rest British manner, but Italy is at the heart of it.
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