What thou lovest well remains.
All great art is born of the metropolis.
Poetry is a sort of inspired mathematics, which gives us equations, not for abstract figures, triangles, squares, and the like, but for the human emotions. If one has a mind which inclines to magic rather than science, one will prefer to speak of these equations as spells or incantations; it sounds more arcane, mysterious, recondite.
But the one thing you should. not do is to suppose that when something is wrong with the arts, it is wrong with the arts ONLY.
What thou lov'st well is thy true heritage.
The individual cannot think and communicate his thought, the governor and legislator cannot act effectively or frame his laws without words, and the solidity and validity of these words is in the care of the damned and despised litterati...when their very medium, the very essence of their work, the application of word to thing goes rotten, i.e. becomes slushy and inexact, or excessive or bloated, the whole machinery of social and of individual thought and order goes to pot.
Utter originality is, of course, out of the question.
Christ can very well stand as an heroic figure. The hero need not be of wisdom all compounded. Also he is not wholly to blame for the religion that's been foisted on to him.
The modern artist must live by craft and violence. His gods are violent gods. Those artists, so called, whose work does not show this strife, are uninteresting.
The secret of popular writing is never to put more on a given page than the common reader can lap off it with no strain whatsoever on his habitually slack attention.
The flavors of the peach and the apricot are not lost from generation to generation. Neither are they transmitted by book learning.
The difference between a gun and a tree is a difference of tempo. The tree explodes every spring.
Humanity is the rich effluvium, it is the waste and the manure and the soil, and from it grows the tree of the arts.
The natural object is always the adequate symbol.
Any damn fool can be spontaneous.
The phase of the usury system which we are trying to analyze is more or less Patterson's perception that the Bank of England could have benefit of all the interest on all the money that it creates out of nothing. ... Now the American citizen can, of course, appeal to his constitution, which states that Congress shall have power to coin money or regulate the value thereof and of foreign coin. Such appeal is perhaps quixotic.
Learn of the green world what can be thy place In scaled invention or true artistry
The only thing one can give an artist is leisure in which to work. To give an artist leisure is actually to take part in his creation.
A classic is classic not because it conforms to certain structural rules, or fits certain definitions It is classic because of a certain eternal and irrepressible freshness.
There is natural ignorance and there is artificial ignorance. I should say at the present moment the artificial ignorance is about eighty-five per cent.
The art of letters will come to an end before A.D. 2000. I shall survive as a curiosity.
Consider the way of the scientists rather than the way of an advertising agent for a new soap.
Genius is the capacity to see ten things where the ordinary man sees one, and the man of talent sees two or three, plus the ability to register that multiple perception in the material of his art.
What thou lovest well remains, the rest is dross What thou lov’st well shall not be reft from thee What thou lov’st well is thy true heritage
Poetry is a very complex art.... It is an art of pure sound bound in through an art of arbitrary and conventional symbols.
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