The problem with romantic comedies is you know the ending by the poster. So they're not movies you can keep doing over and over again expect satisfaction somehow.
When I do comedy, my brain sort of locks up in the infinite possibilities. That's where I get sort of lost. I think, "Oh, there are six other jokes that we could say here!" I feel more at home with drama.
The woman is skin covered prozac I like to call her. Half the trick to a film like this is keeping a sort of emotional level going and keeping an attitude that induces creativity on the set. You have to be in a good mood for that. You have to be happy to make a comedy I think and Anne sort of ensured that every time by expressing most of her feelings through the exciting medium of dance.
Well, I came down to LA initially to join The Groundlings, which is an improv comedy group. I didn't get in, of course, becaue I'm not a part of The Groundlings. I just assumed that I could walk in and take over. So they said: "Hit the road Jack." And I ended up getting an agent instead. They sent me out on a couple of leads and I ended up on a sitcom and Van Wilder thereafter and then pantsless with Sandra Bullock.
Entourage [movie] really is established as a genre unto itself, much like the thriller or the horror movie or the comedy. And those things trend.
I don't get a lot of romantic comedy scripts.
I like doing the mainstream, right-down-the-pike broad comedies as much as I like doing the kind of unorthodox different stuff.
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