Now that I understand how publishing schedules work, I can understand why many authors have the sophomore slump. A year is a long time to wait for a sequel, but it's a short, short time to WRITE a sequel.
If I talk about what I'm good at, I seem like I'm a conceited egomaniac.
I don't actually have cable. I watch TV, but only shows that I buy on DVD. As a result my TV rage factor is pretty low right now. I do have a real distaste for those extreme makeover shows. I once caught a roommate watching one and proceeded to rant for almost 15 solid minutes about how, in watching that bullshit, she was actively contributing to the destruction of all civilization.
My favourite member of the Beatles is Lennon. He might have been crazy. But he's my kind of crazy.
Stand alone books are nice because they have everything all in one tidy little package. Neverwhere was awesome because you get action, adventure, character development, the exploration of a strange world, PLUS resolution of all the problems and mysteries at the end. No lines no waiting. That's very satisfying. Multi-volume stories are satisfying too, just in a different way.
Frequently, an author gets "orphaned" at a publisher. What this means is that an editor buys their book, then ends up getting fired, promoted, or transferred to a different job somewhere else. It sucks for the author because suddenly the person who liked your book enough to buy it isn't around to help you edit and promote it.
I grew up reading Tolkien, and I love him. But I love him in the way that you love that rambly old grandfather. You have to sit through some pretty off-topic stuff before he starts telling his cool old war stories.
I've got a solid grounding in history, sociology, anthropology, philosophy, etc etc. That means I actually have a good idea about how societies change and evolve. I know how a lot of them have actually functioned through the years. I can put together a culture that's cool and different, while still being logically consistent, so that it feels real. So many fantasy worlds are either implausible, cookie-cutter, or both. Mine aren't.
The thing that helps me do a good job is that I don't feel the need to explain everything about the world to my reader. I'm not writing a history text on the Four Corners. I'm telling a story that's set there. The setting belongs in the background for the most part, and it's easy for fantasy authors to forget that. That's one of the unfortunate parts of Tolkien's legacy, in my opinion. Read the first hundred pages of the Fellowship of the Ring and you start to get pissed, "Shut up about the Shire's museums! Isn't the world supposed to be in peril or something?"
I love worldbuilding. It's as much fun for me as writing itself. It's like a hobby of mine.
Here's the thing: Authors live or die by recommendations. [That's one of the reason I review so many books on Goodreads.] Giving books you love good reviews is one of the nicest things you can do for an author. What's more it's good for the entire community.
We need to read good books, and for that to happen, we need to share good books.
If the beard gives a modifier to seduction, I'm guessing it's not a positive one.
I have had a few gentlemen let me know they find my manly beardiness somewhat alluring. Never any ladies though.
I'm a firm supporter of the word polyamory. But that one is close to my heart.
My most popular blogs end up being the ones where I talk about being a dad.
I will say the most raw joy I've experienced reading has probably come from the times I've been reading with my little boys.
I was reluctant to talk about my kids on the blog. I kept telling myself, "People aren't coming here for stories about your kids. They want to hear about the upcoming books, writing advice, conventions..."
I have no balance. My life is a hot mess.
For people who don't know, the fundraiser works like this: people donate to Worldbuilders and they're automatically entered to win geeky swag in the lottery. We're just starting week two and we're already giving away more than $40,000 of books and games.
We try to spread the word about the charity by doing fun little stunts to catch people's attention. Like when Hank Green did a music video for us.
I'm kind of balanced between excited about the potential of the project, and the knowledge that I shouldn't get my hopes up. I like to be practical, and the truth is, these deals fall apart all the time.
My only real daydreamy casting over the years has been Natalie Portman for Denna. She's an amazing actress, and Denna is going to be one of the hardest characters to pull off.
I was nervous about writing Slow Regard.
I'd like to do an anthology. Maybe a collection of songs set in my world, or based on my world. I think that would be a lot of fun.
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