Latest Deborah Smith Quotes from Interviews

Quotes about:

• Khairani Barokka is a writer, spoken-word poet, visual artist and performer whose work has a strong vein of activism, particularly around disability, but also how this intersects with, for example, issues of gender - she's campaigned for reproductive rights in her native Indonesian, and is currently studying for a PhD in disability and visual cultures at Goldsmiths. She's written a feminist, environmentalist, anti-colonialist narrative poem, with tactile artwork and a Braille translation. How could I not publish that?

  Deborah Smith

  Strong, Artist, Rights

  Source: thequietus.com

• Sangeeta Bandyopadhyay is a stylistically daring writer in love with surrealism, credited with being 'the woman who reintroduced hardcore sexuality to Bengali literature'. But though the (male) establishment used this label of erotica to dismiss her work, the sex scenes have exactly the same transgressive function as her use of chronology and narrative voice.

  Deborah Smith

  Sex, Narrative Voice, Males

  Source: thequietus.com

• Hwang Jung-eun is one of the brightest stars of the new South Korean generation - she's Han Kang's favourite, and the novel we're publishing scooped the prestigious Bookseller's Award, for critically-acclaimed fiction that also has a wide popular appeal. She stands out for her focus on social minorities - her protagonists are slum inhabitants, trans women, orphans - and for the way she melds this hard-edged social critique with obliquely fantastical elements and offbeat dialogue.

  Deborah Smith

  Stars, Awards, Focus

  Source: thequietus.com

• Simon Collinson, of digital publisher Canelo and über-cool Aussie mag The Lifted Brow, is our digital producer; Sarah Shin, Verso's comms director, is helping us out with press publicity; Soraya Gilanni, who mainly does production and set design for films and commercials, is our art director.

  Deborah Smith

  Art, Design, Directors

  Source: thequietus.com

• Our first-year list is Sangeeta Bandyopadhyay (translated by Arunava Sinha), Hwang Jung-eun (translated by Jung Yewon), and Khairani Barokka.

  Deborah Smith

  Years, Firsts, Lists

  Source: thequietus.com

• Not only are unpaid internships exploitative, they're one of the main forces keeping publishing in this country a primary white middle-class industry, which has a direct knock-on effect on what gets published and how.

  Deborah Smith

  Country, Class, White

  Source: thequietus.com

• So the aim for the press was a mixture of things: to publish under-represented writing, which is an intersection of original language, style, content, and often its author's gender. To publish it properly, in a way that makes it clear that this is art, not anthropology. To spotlight the importance of translation in making cultures less dully homogenous.

  Deborah Smith

  Art, Writing, Style

  Source: thequietus.com

• And to improve access to the UK publishing industry - I'm hoping to set up an internship or work experience for someone from a low-income background, as soon as we have the funds. While we don't have the funds, we won't have an intern.

  Deborah Smith

  Low Income, Lows, Backgrounds

  Source: thequietus.com

• This and the small sample size inevitably leads to stereotypes - sweeping family sagas from India, 'lush' colonial romances from South-East Asia. Mother and daughter reconciling generational differences through preparing a 'traditional' meal together. Geishas. And even if something more exciting does manage to sneak through, it gets the same insultingly clichéd cover slapped on it anyway, so no one will ever know.

  Deborah Smith

  Mother, Daughter, Differences

  Source: thequietus.com

• Plus, publishing's inherent conservatism, means that what little did get through was weighted towards the commercial end of the scale, which is not the kind of writing that excites me.

  Deborah Smith

  Mean, Writing, Littles

  Source: thequietus.com

• I was in the second year of my PhD when I first had the idea - I'd recently started working as a translator, which meant firstly that I was hearing about amazing-sounding books from other translators, and also that I was getting enough of an insider's view of the publishing industry to be aware of all the implicit biases that made it so difficult for these books to ever get published, especially if they weren't from European languages (harder to discover, editors can't read the original, lack of funding programmes, authors who don't speak English).

  Deborah Smith

  Book, Years, Speak English

  Source: thequietus.com

• But there's also a strong emotional core to counterbalance the experimentalism, with some incredibly moving passages around the narrator's relationship with her (also female) German teacher. It's beautiful.

  Deborah Smith

  Beautiful, Teacher, Strong

  Source: thequietus.com

• There's no linear narrative - the structure is more like a series of variations on a theme (how identity is shaped by language), with the past constantly bleeding into the present, dreams into reality. And the language, while incredibly lyrical in places, also has this underlying dissonance, the sense of it having itself been translated.

  Deborah Smith

  Dream, Reality, Past

  Source: thequietus.com

• I first came across her [Bae Suah] when I read some elderly male critic castigating her for 'doing violence to the Korean language', which of course was catnip to me, especially as I'd recently discovered Lispector doing pretty much the same to Portuguese.

  Deborah Smith

  Elderly, Violence, Firsts

  Source: thequietus.com

• I've translated two of Bae's novels, A Greater Music and Recitation, which are coming from Open Letter and Deep Vellum in October and January respectively. A Greater Music is a semi-autobiographical book centred on a Korean writer moving to Berlin, learning to live and even write in a foreign language.

  Deborah Smith

  Book, Moving, Writing

  Source: thequietus.com

• Alongside Han Kang, there's only one other author I've chosen to translate so far - Bae Suah. Her work is radical both stylistically and politically, influenced by her own translation practice (she's translated the likes of Kafka, Pessoa, and Sadeq Hedayat into Korean). Her language is simply extraordinary.

  Deborah Smith

  Practice, Likes, Bae

  Source: thequietus.com

• Whenever I visit Korea she [Kang] buys me lunch and takes me to a gallery. As if all this wasn't enough, she has incredible respect for translation as a creative, artistic practice - she insists that each English version is 'our book', offered to share her fees with me when she found out I wasn't getting paid for translating her publicity stuff, always asks the editor to credit me, and does so herself whenever she's interviewed. Too good to be true.

  Deborah Smith

  Book, Korea, Practice

  Source: thequietus.com

• I read The Vegetarian and fell in love with it. A year later, I was invited to go and speak at the London Book Fair (which I'd never even heard of before), as they were gearing up for Korea being the market focus country in 2014. I met Max Porter there, Kang's editor at Portobello, sent him my sample, and the rest is history.

  Deborah Smith

  Country, Book, Korea

  Source: thequietus.com

• Possibly the best thing about the whole experience is that Kang and I are now really good friends. It's as much of a pleasure and privilege to know her as a person as it is to translate her work. She's been over for two UK publicity tours, which means lots of time to chat on trains etc., and she was hear all last summer for a writer's residency in Norwich, where I got to meet her son too.

  Deborah Smith

  Summer, Mean, Good Friend

  Source: thequietus.com

• Actually, I'm frequently described as the UK's only translator of Korean literature, but even that isn't accurate - Agnita Tennant is UK-based, Janet Poole is British though lives in Toronto, Brother Anthony was born here though is now a naturalised Korean citizen. There's also Chi-young Kim and Sora Kim-Russell, who are younger and do fiction for commercial houses.

  Deborah Smith

  Brother, House, Toronto

  Source: thequietus.com

• I teach Korean translation at the British Centre for Literary Translation summer school, so I see an emerging generation too, who are around my age. I'm hoping to find time to mentor, and to help emerging translators to a first contract through Tilted Axis.

  Deborah Smith

  Summer, School, Axes

  Source: thequietus.com

• I taught myself the first year course while I was on the dole, then moved to London to do an MA at SOAS, which led straight into a PhD.

  Deborah Smith

  Years, Taught, London

  Source: thequietus.com

• All of which suggested literary translation, and Korean seemed a good bet - barely anything available in English, yet it was a modern, developed country, so the work had to be out there, plus the rarity would make it both easier to secure a student grant and more of a niche when it came to work.

  Deborah Smith

  Country, Students, Korean

  Source: thequietus.com

• I suspected learning a language would be both useful and enjoyable (I love memorising lists of things), and would get rid of the embarrassment of being monolingual at 21. I'd been obsessed with reading for as long as I could remember, the only thing I'd ever thought I might want to be was a writer, but I was much better at crafting sentences than at stringing plots together.

  Deborah Smith

  Reading, Long, Together

  Source: thequietus.com

• I did my BA in English lit, and hated the restriction - I'd always read more in translation than not; coming from a working-class background, what I knew of as British literature - the writers who made big prize lists and/or were stocked in WH Smith, Doncaster's only bookshop until I was 17 - seemed incredibly, alienatingly middle-class. Then in 2009, just after the financial crash, I graduated with no more specific skill than 'can analyse a bit of poetry'.

  Deborah Smith

  Class, Skills, Literature

  Source: thequietus.com