Alan Ayckbourn Quotes

• As a writer one is allowed to have conversations with oneself. What is considered sane in writers is made for the rest of the human race.

  Alan Ayckbourn

  Race, Made, Conversation

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• Few women care to be laughed at and men not at all, except for large sums of money.

  Alan Ayckbourn

  Funny, Money, Laughter

  Alan Ayckbourn (1988). “The Norman Conquests: A Trilogy of Plays”, p.9, Grove Press

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• The darker the subject, the more light you must try to shed on the matter. And vice versa.

  Alan Ayckbourn

  Light, Trying, Vices

  Alan Ayckbourn (2015). “The Crafty Art of Playmaking”, p.11, Macmillan

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• There are very few people on top of life, and the rest of us don't like them very much.

  Alan Ayckbourn

  People

  Newsweek, March 25, 1979.

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• I think of a plot, I think of an idea, and then I wonder, How can I get that onto the stage? . . . Whatever devices you use should always be there to serve the theme. If the theme has been overtaken by the device, then something's wrong.

  Alan Ayckbourn

  Thinking, Ideas, Plot

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• A comedy is just a tragedy interrupted, I once said. Do you finish with the kiss or when she opens her eyes to tell him she loves him and sees blonde hairs on his collar?

  Alan Ayckbourn

  Eye, Kissing, Hair

  "A Crash Course In Playwriting". research.alanayckbourn.net. 1993.

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• What I find interesting is how close you can run the laughter along the seam of seriousness, and occasionally cross it, so that half the house genuinely doesn't know whether to laugh or cry. Custard pie humour is fairly universal, but at the other end, which I'm more interested in, there's the humour that hovers on the darkness, that walks in the shadow of something else, not always that obvious.

  Alan Ayckbourn

  Running, Laughter, Pie

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• If you are flattering a woman, it pays to be a little more subtle. You don't have to bother with men, they believe any compliment automatically.

  Alan Ayckbourn

  Women, Believe, Littles

  Alan Ayckbourn (1988). “The Norman Conquests: A Trilogy of Plays”, p.199, Grove Press

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• Salad, I can't bear salad. It grows while you're eating it, you know.

  Alan Ayckbourn

  Salad, Bears, Eating

  Alan Ayckbourn (1988). “The Norman Conquests: A Trilogy of Plays”, p.113, Grove Press

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• There is a school of thought that believes that sleep is for the night. You appear to be out to disprove them.

  Alan Ayckbourn

  Believe, Sleep, School

  Alan Ayckbourn (2015). “The Crafty Art of Playmaking”, p.68, Macmillan

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• A gentleman ... sleeps at his work. That's what work's for. Why do you think they have the SILENCE notices in the library? So as not to disturb me in my little nook behind the biography shelves.

  Alan Ayckbourn

  Work, Sleep, Thinking

  Alan Ayckbourn (1988). “The Norman Conquests: A Trilogy of Plays”, p.215, Grove Press

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• He really is terribly heavy going. Like running up hill in roller skates.

  Alan Ayckbourn

  Running, Hills, Heavy

  Alan Ayckbourn (1988). “The Norman Conquests: A Trilogy of Plays”, p.100, Grove Press

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• Cats names are more for human benefit. They give one a certain degree more confidence that the animal belongs to you.

  Alan Ayckbourn

  Cat, Animal, Names

  Alan Ayckbourn (1988). “The Norman Conquests: A Trilogy of Plays”, p.28, Grove Press

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• Plays by Alan Ayckbourn have been attracting larger audiences in the regional theatres than those of Shakespeare.

  Alan Ayckbourn

  Play, Theatre, Audience

  Press Release by the Arts Council of Great Britain, November 02, 1983.

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