The bigger the show, the weirder it is.
Like, I'm trying to make a statement that clean comedy is somehow better or loftier than dirty comedy, and I don't feel that way at all. I just think it's different. It's different. There's rock music, there's jazz music, there's reggae music: All of those forms are different.
As long as I can make that audience one thing, one unit, then I'm okay with it. But, sometimes, the bigger the audience, the weirder it gets.
Sometimes you'll play, like, a large venue - maybe an outdoor venue or something - where it's so big that you can see all of the disinterested people. You see the audience, but then behind the audience you see people eating ice cream, going for a walk.
I like the honesty of standup comedy. People don't fake laugh. If they're truly laughing at you, you know they like you.
When you're onstage, it's a communication technique when you make people laugh. You're communicating. You're communicating with other human beings and when they laugh you know that you're connecting. Laughing is an honest reaction and it's something that I can trust, and I love that feeling of knowing that I connected.
The only way I'd want to do something in television would be if it was about how I think as a comedian. I'd need to be able to be a creator. That's what I enjoy - I enjoy coming up with comedy, so it'd be very difficult for me to be sitting in a room and have somebody come in and say, "Here's your script! Learn these lines!" That's not fun. At least not for me.
I am happy doing standup so I don't ever want to stop doing it. But I wouldn't mind venturing off and doing other things that are creative.
I try to be careful not to put the cart before the horse. I try not to create comedy for other comedians to like. I want everybody to like it. I want audiences to like it, but I also want comedians to like it. I'm selfish. I want everybody to laugh!
I wasn't expecting to really draw in respected comedians but it's going to happen along the way and I'm truly honored by that.
The funnest jokes for me to tell are the ones that are the newest. So I'm just constantly motivated to keep my eyes and ears open and have new stuff.
I try my jokes onstage. The only way to really find out if something is going to work is to try it on stage, and I try to be careful and bookend something new with a strong bit before and a strong bit afterwards. But it's fun to run on virgin snow. I like that feeling onstage of creating new footprints and not knowing what's going to happen.
I'm capable offstage of having some dark, twisted thoughts but the kind of things I like to do onstage are just more conceptual and I don't even think of them as being clean. I don't sit down and think, "Man, I'm going to come up with some lily-white comedy!" They're just things that I like to talk about, and then at the end of the day you think, "Well, I guess that was clean" but it's not the focus.
Every comedian works differently. Some comedians might do just observational stuff and they don't do anything personal, and other people.. everything they do is personal and they don't do any observational stuff at all. There's no right or wrong, it's just that everybody picks their own approach.
I just tend to think about everyday things for my onstage act. Actually you know what I like to talk about just the absolute most - the more mundane the subject matter, the more interesting it is to me.
It's hard to program a computer to make jokes. The brain needs to do something here; the brain needs to come up with something bizarre to make something funny.
I'm honored that other comedians like what I do. That means the world to me. But at the same time when I'm on stage I'm not just trying to make the comedians laugh - I'm also trying to make the audience laugh. I want to make everybody laugh.
I like to go on stage with a variety, with some stuff that's been around for a handful of years, some stuff from the last year, some stuff is from last week, and some stuff is brand spanking new. Those are the moments that excite me - when I'm coming up to a brand new bit. The more virgin the snow, the more fun it is to run on.
Relevance is kind of a weird thing. If one does topical material, it makes sense to want to be relevant. But if someone talks about donut sprinkles, it's not quite as important. Unless the U.S. Supreme Court makes a decision outlawing donut sprinkles.
I don't always see humor in things. Especially when I smash my pinky toe into a coffee table leg in the middle of the night. But sometimes I'll see things, or experience things, that make me go, "Huh, maybe that's a bit."
Many comedians consider themselves to be cutting edge. But why do we have to use the knife for the analogy. Let's use the spoon. I like to consider myself the big bowl-like area of the spoon that holds all the stuff you like.
I wanted to do the comic strip. I tried to get it syndicated, and I sent some examples to a syndication company, and they sent me a rejection letter! I wasn't smart enough at the time to realize you shouldn't let rejection letters stop you. I thought that rejection letter meant I was not allowed to be a cartoonist in this world, so I put the rejection letter down and said, well, I'll be a stand-up comedian.
I don't take jokes from other people. It's really not cool to steal jokes from anybody. It's not cool to steal anything from anybody. Jokes are no different.
I'm always excited about my upcoming shows. I love what I do; I feel very lucky to be able to do what I do, and I never get tired of it. Every time I'm backstage before a show and I feel the murmur of the crowd, it's just incredibly exciting. And I consider myself very fortunate to be able to do this for a job. It's a great life.
You can poke fun at some pretty difficult circumstances, and it's just a way to pop the bubble. I don't do that thing onstage usually, but offstage sometimes I might.
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