As I've got older, I've got more understanding of relationships and how they work - but every single relationship has different dynamics, so you can't paint everyone with the same colour.
We all have the same problems in relationships.
I think I was the best drummer!
I'm glad that the lyrics reach people and make them understand that we're all the same, really.
As I've gotten older and learned more, I realise that Hollywood has not told the truth.
Tattoos don't impress me. For me it's just another awkward part of fame. It's extraordinary - tattoos in basketball and soccer, it's quite extraordinary.
I feel terrible for women that have had Phil Collins tattoos. Their poor husbands have to deal with.
Why did I like simpler songs? Just times change. This is one of the repeated things I hear: even though people will read different kinds of books, they don't read Lord of the Rings when they're 30 even though they did at 15.
As a composer I approached the drums differently than a non-composing drummer. I embraced drum machines.
Drummers get bored. You tell them to play something simple, and it gets more complicated as they do it. If they're not a composer, if they don't have any kind of investment in the music, they'll just add a bit there and another bit there, and you think no! Don't do that. So you end up using a drum machine.
When you're young you want to show people what you can do, no matter what the cost. Whereas when you're older, and you realise that maybe a drum machine is better than you playing, then use the drum machine.
This stupid sensitivity! But then women like sensitivity.
There's something perverse isn't there, if you're playing in front of 100,000 people and there's 2000 people down the front who don't like, you think: what is it that they don't like?
Of course you can't please everyone all the time. It's just something that I've got to get over, and I'm better at it now.
I just figured if I'm going to call myself a songwriter throughout my life, then writing for most genres of music is something I should at least attempt.
I didn't become a commercially successful artist by design, and actually I think that commercially successful just means, if you analyse it, that a lot of people like you. It's become a dirty word, and I don't necessarily think it needs to be.
I have some rhythms on my computers, that are actually called "trance", they go from 1-30 or 40. They're grooves that come on the synth. If I could somehow use them, I would.
Things happen, but things happen and you follow... your heart is too dramatic, but you follow.
To me, groups of musicians playing together, not fighting each other, but playing a groove together is one of the most exciting things to listen to.
I can't consider myself a drummer any more.
I was talking to Australian press earlier, and they said: we never stopped playing you. I tended to forget about that. It brings a smile to your face that there is this continuing thing, that people like what you do.
As a writer, author, creator of something the fact that people are still interested, is fantastic.
You leave a country, they stop playing you on the radio.
I'm not sure at all about the current prog rock scene.
Prog rock, with a little good taste, is ok. I tried to bring some of it into this century, I guess.
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