I want brave people. Fearless ones. A good actor just goes out and leaps off the edge and develops wings on his way down, hopefully. That's the kind of people I really enjoy working with. Playing safe isn't much fun. I like danger. It's controlled danger, always, and that's why I hope I don't lure too many good actors down into the pits with me, because I hope they maintain their own unique talents.
I do think so much of what I do is reactive to the way the world sees itself, or the way the world is being portrayed. I wanted to offer an alternative to that. Whether it is accepted or not is beside the point, but it's an alternative.
My strength, if it's anything, is that I can lure some big-name actors in. That's probably the strength of almost any director now. On your own, as a director, you've only got so much weight. James Cameron, George Lucas, Steven Spielberg, Michael Bay... that's about it. Everybody else depends on the star power that they can draw.
To me, the stories that have always intrigued me are the stories of people leaving my movies and being affected by them. They walk home 20 blocks the wrong way. Or they lock themselves in their office. Or they find themselves weeping when in the shower after the film. And those intrigue me, because I know I've touched something inside them.
I find Hollywood gives these pat stories, and they're reassuring stories, and I don't really want to give people that. Hollywood does all that work. I'm offering, sometimes, an alternative to that. The answers aren't black-and-white. There may not even be answers in certain instances. The ground is not necessarily solid, either. So you've got to keep awake the whole time, even after the movie is over.
A lot of people seem to get carried away that something that's made out of paper mâché is going to be better than not. And I always thought the original King Kong, that terrible little puppet with its hair going in all directions, was far more magical than Peter Jackson's incredibly beautifully rendered King Kong. So there's something to be said for a more primitive version of things. I think it's because it makes the audience work a little bit more, because you've got to invest it with life and reality, so I like doing that.
Writers do the self-censoring before they even get to the studio executive, because they know the film will not run that gauntlet. They, because they want to get their films made, they censor it.
I never define depression, clinical or otherwise. It's the basis of most life, it seems to me, in the modern world. We're all depressed.
Everybody gets excited about technology, but it doesn't interest me in the least. I'm only interested in it if it makes my job easier or cheaper. They're tools.
Now, anybody can make a movie, and I don't see that many great movies, because I think there's only a limited amount of talent out there.
It's the shock of the world if you allow yourself to disconnect from the world and forget it's out there, how noisy it is, how busy it is, how invasive it is.
Reality and fantasy, we need both of those to survive. If we don't have fantasy, dreams and all of those things, what's the point of carrying on? And you need to watch out for reality because buses come.
I'm a cartoonist, it's what I am at heart, so cartoons take reality and deform it and make it grotesque, you make it funny, but you alter it. If it works, it's based on reality. That's what I try to do.
I think it's worse for actors, though, because people have to choose you. As a director, I get to choose the actors, but most of the time, actors have to be chosen in order to work.
I got tired of my taxes paying for exciting little wars around the world. Then I discovered that when I died, my wife would probably have to sell our house to pay for the taxes in America.
I thought, how do you confuse violent Russian mobsters? Well, by being silly!
I was an incredible Anglophile. I found people who shared the same sense of humor and attitude toward the world.
The English are such a frightened, nervous, insecure group of people - they no longer rule the world!
I'm overwhelmed by writers. Most people aren't impressed by writers, but if you can draw a cartoon or a picture, they think you're magic.
I wasn't creative or theatrical. I was just doing everything. I was head cheerleader, valedictorian - it was ridiculous!
I think that's the problem with kids now. Everything is manufactured. And then they're sitting there watching the television, where all the work is done for them. Radio made me use my imagination.
There's something about living in the country that I think makes you inventive, because nature is full of miracles and wonder and surprises, and if you don't have much money, you have to make things if you want things.
I'm trying to escape by forming my own kind of world. Basically, I'm trying to encourage others to do the same.
Once the voices are in your head, it's either make a movie or kill a lot of people.
The forces that run the world always try to keep things under control. The population might be having a wonderful time, buying iPods and going to nice restaurants, but I still feel they're all kind of under control.
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