I was never more hated than when I tried to be honest. Or when, even as just now I've tried to articulate exactly what I felt to be the truth. No one was satisfied
If the word has the potency to revive and make us free, it has also the power to bind, imprison and destroy.
I remember that I'm invisible and walk softly so as not awake the sleeping ones. Sometimes it is best not to awaken them; there are few things in the world as dangerous as sleepwalkers.
The act of writing requires a constant plunging back into the shadow of the past where time hovers ghostlike.
Light confirms my reality, gives birth to my form...without light I am not only invisible but formless as well; and to be unaware of one's form is to live a death...the truth is the light and light is the truth.
It goes a long way back, some twenty years. All my life I had been looking for something, and everywhere I turned someone tried to tell me what it was. I accepted their answers too, though they were often in contradiction and even self-contradictory. I was naive. I was looking for myself and asking everyone except myself questions which I, and only I, could answer. It took me a long time and much painful boomeranging of my expectations to achieve a realization everyone else appears to have been born with: That I am nobody but myself. But first I had to discover that I am an invisible man!
Had the price of looking been blindness, I would have looked.
So why do I write, torturing myself to put it down? Because in spite of myself I've learned some things. Without the possibility of action, all knowledge comes to one labeled "file and forget," and I can neither file nor forget. Nor will certain ideas forget me; they keep filing away at my lethargy, my complacency. Why should I be the one to dream this nightmare?
I do not know if all cops are poets, but I know that all cops carry guns with triggers.
We look too much to museums. The sun coming up in the morning is enough.
You start Saul, and end up Paul,' my grandfather had often said. 'When you're a youngun, you Saul, but let life whup your head a bit and you starts to trying to be Paul - though you still Sauls around on the side.
God is love, I said, but art's the possibility of forms, and shadows are the source of identity.
The end is in the beginning and lies far ahead.
All novels are about certain minorities: the individual is a minority. The universal in the novel-and isn't that what we're all clamoring for these days?-is reached only through the depiction of the specific man in a specific circumstance.
Whence all this passion toward conformity anyway? – diversity is the word. Let man keep his many parts and you'll have no tyrant states . Why, if they follow this conformity business they'll end up by forcing me, an invisible man, to become white, which is not a color but the lack of one. Must I strive toward colorlessness? But seriously, and without snobbery, think of what the world would lose if that should happen. America is woven of many strands. I would recognize them and let it so remain.
And I knew that it was better to live out one's absurdity than to die for that of others.
Good fiction is made of that which is real, and reality is difficult to come by.
The blues is an art of ambiguity, an assertion of the irrepressibly human over all circumstance whether created by others or by one's own human failings. They are the only consistent art in the United States which constantly remind us of our limitations while encouraging us to see how far we can actually go. When understood in their more profound implication, they are a corrective, an attempt to draw a line upon man's own limitless assertion.
If social protest is antithetical to art, what then shall we make of Goya, Dickens, and Twain?
Eclecticism is the word. Like a jazz musician who creates his own style out of the styles around him, I play by ear.
To hell with being ashamed of what you liked.
Man's hope can paint a purple picture, can transform a soaring vulture into a noble eagle or moaning dove.
Meaning grows in the mind, but the shape and form of the act remains.
I am invisible, understand, simply because people refuse to see me.
There must be possible a fiction which, leaving sociology and case histories to the scientists, can arrive at the truth about the human condition, here and now, with all the bright magic of the fairy tale.
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