To a great extent, I still write for myself, write what amuses me. Fortunately, I have a quirky sort of strange sense of humor that appeals to other people and that's good. I still sort of write for myself though there are some areas of the book I feel I have to put in and I feel I have to deliver.
Whenever I'm giving talks, I always ask people to think of the most obscure questions because I enjoy those the most. I always get the same questions: Why does Pickwick say "plock" and will there be a movie? I like the really obscure questions because there's so much in the books. There are tons and tons of references and I like when people get the little ones and ask me about them. It's good for the audience [and also] they realize there's more there.
The inspiration comes from everywhere, from what I grew up with. There's so much silliness and nonsense in the world that we regard as normal working procedure. The satirical point of the view may be to counterpoint that. The way we look at classics has been hijacked by the intelligentsia - Shakespeare is highbrow and seen as something clever people do, which isn't right at all. I basically pull inspiration from everywhere.
For an author just starting out, you've got to deliver the goods every year or sooner or people will forget you or you will lose momentum. There is a contract that exists between author and reader.
I've never been averse to a little risk - after all, writing without risk is not really writing at all. Sometimes one has to just let fly with a high concept piece and see where the pieces fall. As it generally turns out, the central story is familiar, but just with different rules of engagement.
Personally I have a great deal of fun doing it, which is an inspiration in itself really. It really allows me to daydream, as in "schooldream" which is daydreaming with ink and get paid for it which is something I don't say to schools when I go in and talk to them.
Aspects that we consider normal today could very well be repugnant in the future - eating animals, for one thing, or abundant choice, or invasive surgery. I was simply trying to demonstrate that what is acceptable today may not be acceptable forever, and vice-versa.
Social mores change with time, like fashion - who knows where it might all end up? I especially like the idea that waste, impoliteness and overpopulation become "abominations," although I'm not sure recycling one's aunt will ever truly catch on.
In any regime there is always something that one should agree with, and in Shades there are quite a few notions that, on the face of it, seem like a good thing - the strict adherence to good manners, the fact that learning a musical instrument is compulsory, as is dancing, performing musicals and an hour's Useful Work every day in order to properly discharge your duty to society. But a cage is still a cage, irrespective of the nature of its bars.
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