I've written 16 children's books and five unpublished novels. Some of the latter were breathtakingly bad.
And then I thought that I had to be like Sherlock Holmes and I had to detach my mind at will to a remarkable degree so that I did not notice how much it was hurting inside my head.
The way of creating believable characters is not by conforming to a set of PC rules.
Use your imagination and you'll see that even the most narrow, humdrum lives are infinite in scope if you examine them with enough care.
Mother used to say it meant Christopher was a nice name because it was a story about being kind and helpful, but I do not want my name to mean a story about being kind and helpful. I want my name to mean me.
I am really interested in eccentric minds. It's rather like being fascinated by how cars work. It's really boring if your car works all the time. But as soon as something happens, you get the bonnet up. If someone has an abnormal or dysfunctional state of mind, you get the bonnet up.
If kids like a picture book, they're going to read it at least 50 times. Read anything that often, and even minor imperfections start to feel like gravel in the bed.
And I know I can do this because I went to London on my own, and because I solved the mystery…and I was brave and I wrote a book and that means I can do anything.
... He had always rather liked emergencies. Other people's at any rate. They put your own problems into perspective. It was like being on a ferry. You didn't have to think about what you had to do or where you had to go for the next few hours. It was all laid out for you.
I've come to realize that most good ideas are precisely the ones you can't describe.
Things can be funny when people are uneasy. It softens them up and stops them falling asleep on the sofa. I like those moments where people half-smile and half-wince.
When I was writing for children, I was writing genre fiction. It was like making a good chair. However beautiful it looked, it needed four legs of the same length, it had to be the right height and it had to be comfortable.
I was born too late for steam trains and a lazy eye meant I'd never be an astronaut.
I've worked in television long enough to know that when you stop enjoying that type of thing you go home and do something else.
Jane Austen was writing about boring people with desperately limited lives. We forget this because we've seen too many of her books on screen.
My book has a very simple surface, but there are layers of irony and paradox all the way through it.
I read very, very little fiction as a kid. All the books I can remember are junior science books.
Jane Austen writes about these humdrum lives with such empathy that they seem endlessly fascinating
There was a time in my life when I was going in and out of houses that were extraordinarily different - from a working-class terrace in Northampton to the homes of friends who were really very wealthy. It was quite an odd position to be in, I realise looking back, and quite a nice one.
I am atheist in a very religious mould. I'm always asking myself the big questions. Where did we come from? Is there a meaning to all of this? I read the King James Bible, as all English writers should. And when I find myself in church, I edit the hymns as I sing them.
But I don't feel sad about it. Because Mother is dead. And because Mr. Shears isn't around anymore. So I would be feeling sad about something that isn't real and doesn't exist. And that would be stupid.
And this shows that people want to be stupid and they do not want to know the truth. And it shows that something called Occam's razor is true. And Occam's razor is not a razor that men shave with but a Law, and it says: Entia non sunt multiplicanda praeter necessitatem. Which is Latin and it means: No more things should be presumed to exist than are absolutely necessary. Which means that a murder victim is usually killed by someone known to them and fairies are made out of paper and you can't talk to someone who is dead.
There's something with the physical size of America... American writers can write about America and it can still feel like a foreign country.
Science and literature give me answers. And they ask me questions I will never be able to answer.
What I love about the theatre is that it's always metaphorical. It's like going back to being a kid again, and we're all pretending in a room. Sometimes, when the pretending really works, I find it much, much more moving than something on film.
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