I always wanted to be a teacher. A bit of me still wants to be a teacher.
There are certain things that cut right to the bone, but as an actor you have to because you get turned down for things all the time. I have a friend who was told he didn't get a job because he was too hairy. I've never heard anything that bad, but you have to get used to that sort of thing.
Auditioning is a funny one. It's all about energy. If you walk into a room and the room feels off or the people feel off, that can set you off. If the room is very small. I know which casting directors I should go to, because the place is conducive to doing a good job and the people are conducive and I know the other ones aren't, in which case I send in a tape.
I guess if everything went tits up, having no work whatsoever, obviously you have to do something else. At the moment I don't see myself quitting, but I'm open minded about it.
There was recently a story out that I turned down a role in a major franchise. That's not true. I refused to audition for it. I didn't get the part. I didn't even go in because I thought that the part was just a repackaged version of the parts I played before in these young adult films - sort of moody, masculine, but sensitive and all this kind of thing. It was just a repackaged, rather dull thing.
I know I haven't done it. I've done a couple of films, which were intended to go straight up. Thankfully they didn't. So now, I think that's what I need to do. I just need to grow as an actor.
If you look at the careers of Philip Seymour Hoffmann, Paul Giamatti, Meryl Streep, none of them shot up in terms of fame or fortune or recognition, they laid a platform of good, solid work and became better and better.
Also I don't want to refer to myself as Maximilian. You'd have to win an Oscar or become mind-numbingly wealthy or hit 50. It's like smoking a cigar, you know what I mean? You can't be a young guy and do it.
I want to keep working. I want to step away from young adult fiction. I want to do theater periodically - Farragut North reminded me how great it is. I started out in theater. I trained in theater and then I kind of fell into film and TV. I want to work with interesting artists, talented actors, talented directors, and talented scripts. Not necessarily leading roles.
Well, I couldn't spell my name until I was eight - my second name. I was so dyslexic. Max I could do. Irons, nope.
Bullingdon would never go co-ed. I'm not going to give anything away, but there are a couple of girls involved in our story and it doesn't end well for anyone.
In fact, when I met Kit Harington first, he was pretty much feeling how I'm feeling today - at a photo shoot and you've had no sleep. He was just a really nice, English, down-to-earth guy. No pretense, nothing.
They’re a nasty bunch of people. The Riot Club’s sole purpose is to celebrate wealth, elitism, hedonism, and excess - just random acts of destruction and chauvinism, which is interesting because our Prime Minister, our Chancellor of the Exchequer, the Mayor of London were are a part of this club.
When I was about 16, I did a Neil LaBute play called 'A Gaggle of Saints' from a collection of plays called 'Bash' - very violent story about a young Mormon who goes to Central Park with his friend and beats up a gay guy. But it was the first thing I had ever done, and I thought, "God, this is fun! This is far more fun than anything else I've been doing at school. I want to stick with it."
Nepotism is despised in England, which is a very good thing. I think something to do with the class system. People really look down on nepotism. So yeah, it never really works in your favor - even in this industry.
I was supposed to go up for something recently that was a six-year commitment, and I didn't want to do it. It was a terrible part as well. I don't want to be doing six years of something. I'd go crazy.
I think he [King Edward] was a modernizer who was a new thinker. The things he intended to do - unify the country, expand it all from coast to coast - were very modern and radical in those days. Also, the fact that he married who he did and that he managed to deal with the consequences and ramifications of that marriage and stay on the throne until the day he died, that shows skill.
Towards the end, one of them [children in "The White Queen"] was older than I was in real life.
I think there was a bit of brotherly love, but I think everything has a motive when you're king. It's all about maintaining that power - securing that power - and I think Edward was very skillful at doing that. I think he was a great king. Opinions are split, if you look at what he's done and written about him.
I think it's quite good to have an amount of unavailability.
People say 'follow in the footsteps' but I always find that a strange expression because what you want to do is forge your own path, so to speak.
As an actor, variety is the spice of life. I love theatre… it's what I enjoy the most. But a bit of TV, a bit of film, a bit of stage - what more could you ask for?
People often find it surprising that actors find photo shoots difficult, because you're very concerned about what's going on externally in those things when you have to be concerned with what's going on internally as an actor.
I don't think I've got enough energy to be competitive! Most of my energy is just devoted to me being nervous and trying to deal with the situation.
I think I was about 16 when I first figured I wanted to be an actor. I wanted to be a fighter pilot before that, but then I thought I don't want to kill people so that ruled that out.
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