I still get a lot of material but I find that as one gets older you get more fussy. You know you're going spend a year or a year and a half on this and you know there are only so many films in you so you get a little bit more selective.
But I've never met a racist yet who thinks he's a racist. That's always the disturbing thing about when we begin to look at ourselves.
Everything Sholom Aleichem talks about in his plays and his short stories is about people, family, man's relationship with his God, the breaking down of tradition.
I try to find stories that I would think that everyone would find interesting, and just a good entertaining story, and then if I can find a story that has a raison d'etre behind it that I feel is important then that's the best for me.
I don't like to think that maybe I'm just getting old. I'm not too excited about watching a huge explosion. I'm more interested in people and characters.
But Madonna has a small amount of talent when it comes to movies.
The eradication of anti-personnel mines around the world is one of the most important tasks facing the international community.
We live in an age of publicity and hype. There's something about success that dehumanizes you, whereas failure reminds you of who you really are.
We also have a tendency to root for the fugitive. We're always on the side of the animal being chased.
When you deal with a film that takes place in Europe, and you're going to work in English, you'd better work with European actors.
It's an entire industry focusing on young male viewers that want action and violence. They sell us something that isn't valid. They're selling films like a product.
In America there's no rights for the artist, so whatever films I've made kind of belong to the studio.
Look, I'm just a storyteller. When I make a film, I never want the film to become a vehicle of social propaganda.
Michael Caine is a movie star, but he's also a great actor. I can't say that about every movie star. It's the concentration he has.
Moonstruck... was one of the few romantic comedies to be nominated for a Best Picture Oscar.
I mean they're making remakes of my films and I'm not even dead yet! Why would you want to make a remake?
I was really excited to have the opportunity to make Fiddler.
I was very disappointed that Denzel didn't win Best Actor for The Hurricane because I thought he deserved it.
Obviously, In The Heat Of The Night was a landmark movie because the timing was perfect. It was in the middle of the Civil Rights Movement.
The album for Fiddler really took off. I think it was a combination of John Williams and the score. It was a very classy big album.
When the small independent film, which depends on its artistic appeal rather than wide commercial distribution by an MPAA member, is now denied access, the playing field becomes unfair and uneven.
I think you get better as you get older.
Do what you're told, and everything will be all right.
I work with a lot of movie stars.
I'm in the mood for another Moonstruck experience, for another romantic comedy.
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