I still get a lot of material but I find that as one gets older you get more fussy. You know you're going spend a year or a year and a half on this and you know there are only so many films in you so you get a little bit more selective.
I think all Nazis didn't see themselves as bad people. I've never met a racist yet who thought he was a racist. Or an anti-Semite who thought they were anti-Semitic.
Obviously, In The Heat Of The Night was a landmark movie because the timing was perfect. It was in the middle of the Civil Rights Movement.
But I've never met a racist yet who thinks he's a racist. That's always the disturbing thing about when we begin to look at ourselves.
I try to find stories that I would think that everyone would find interesting, and just a good entertaining story, and then if I can find a story that has a raison d'etre behind it that I feel is important then that's the best for me.
I don't like to think that maybe I'm just getting old. I'm not too excited about watching a huge explosion. I'm more interested in people and characters.
Everything Sholom Aleichem talks about in his plays and his short stories is about people, family, man's relationship with his God, the breaking down of tradition.
But Madonna has a small amount of talent when it comes to movies.
I don't make films to win prizes. I make films to make films.
Do what you're told, and everything will be all right.
Look, I'm just a storyteller. When I make a film, I never want the film to become a vehicle of social propaganda.
We're always on the side of the animal that's being chased. We always seem to be on the side of the rabbit or the fox and not on the side of the hounds.
Michael Caine is a movie star, but he's also a great actor. I can't say that about every movie star. It's the concentration he has.
Moonstruck... was one of the few romantic comedies to be nominated for a Best Picture Oscar.
I mean they're making remakes of my films and I'm not even dead yet! Why would you want to make a remake?
I was really excited to have the opportunity to make Fiddler.
The album for Fiddler really took off. I think it was a combination of John Williams and the score. It was a very classy big album.
A lot of American actors I work with are in character all day long. You can't talk to them. It's Method and the whole thing.
Every generation deals with the breaking down of its tradition, and I think that they rediscovered the film.
I was very disappointed that Denzel didn't win Best Actor for The Hurricane because I thought he deserved it.
I work with a lot of movie stars.
Betrayal... is my favorite subject.
I think I've done pretty well. I've had about 46, or 47 nominations from my movies, and my films have won about 12 awards, so I don't have any complaints.
I'm going to do an adaptation of the Italian film, Bread and Tulips. I really like that film.
I'm in the mood for another Moonstruck experience, for another romantic comedy.
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