I would love to work on Broadway, but I don't know that it would manifest itself in musical theater.... I have terrible stage fright that I'd have to get over.
My parents never put a lot of pressure on us to be any kind of way.... I have my funny moments where I look at myself and think, Oh, this is a disaster. But you have to give yourself a reality check and go, All right, if I feel this way, I'm going to do something about it that's healthy. I can't look at somebody who is 6 feet tall and 120 pounds and say, I'm going to get that body. That's just never going to happen. You have to work with what you've got.
Every actor has a production company already. It's just a matter of producing your own films under the label of your own production company.
I don't know necessarily that I would produce under my own company right now. Producing is not something that I'm thinking about. Directing is something that I will be doing very shortly, trying to figure out what to get my hands on. And I can't imagine writing a script and wanting to direct it and not having a producing credit, because I would want to have a big chunk of power on that end, if I wrote something.
I've always been very focused on my career. But, it's good to have people [say], "Okay, you need a vacation." "I do? Oh yeah, you're right. I think I do."
Every director is themselves; [they're] not playing a part.
I'm just in work mode, and that prevents me from going into the Hollywood starlet mode, I suppose.
I don't think I need too much help. I think my head's on pretty straight, and I'm pretty realistic about things. I'm very focused, so that certainly prevents me from going all over the place.
I'm good with dialect. Some actors do it immediately; other actors never quite get it. It's something I've always really enjoyed and something I've always been pretty fast with.
Obviously filming and working has consistently been a part of my life. I've never had a huge break of time when I wasn't working on something or promoting something.
Everything you do is different, and you find different chords in every character that you play that strike true with you.
Every film is exciting because I get new tools and cool new things to do.
I've always wanted to work with Cameron Crowe. I've auditioned for him several times for various projects over the last ten years, and I've always admired the way he worked with me.
You have Cameron Crowe write an incredible monologue for you just based on the things that you're talking about. It just became this opportunity that was too exciting a process to pass up.
I can't think of anything I'd rather do less than have to continuously share details of my everyday life.
I'm always surprised that certain actors have Twitter accounts. I guess they use it in a way that works for them. But I'd rather that people had less access to my personal life. If I could keep it that way, I'd be a happy lady.
I don't have a Facebook or a Twitter account, and I don't know how I feel about this idea of, "Now, I'm eating dinner, and I want everyone to know that I'm having dinner at this time." or "I just mailed a letter and dropped off my kids." That, to me, is a very strange phenomenon.
They're [social media] amazing tools to communicate information - especially about different causes or crises or movements.
I don't feel the need to brand myself in that way [social media]. But as a means to share information and raise awareness of things, I think these social-networking platforms are unprecedented.
You really hope that people who want to be politically active aren't so disillusioned at this point. I do feel positive about what's happening. I think that with all of these movements, and this growing collective voice that's emerging, people are starting to come out of the kind of dazed state that they were in for so many years. But it's tough to know the best way to effect change now. Campaigning alone no longer seems to be the answer.
People are fed up - and I think quite rightfully so. But what are they proposing as an alternative to just being upset or feeling disillusioned or abandoned? That kind of protest movement really needs to happen on a much bigger scale, but there needs to be a clearer message.
If Occupy Wall Street was actually a march, and people from all around the country could collect and march toward Washington, D.C., as part of this massive movement of people . . . I think that kind of pressure is much more powerful than a sit-in that seems to be a little unorganized.
Are people who want this kind of progressive change not turning up at polling stations? Are they not voting for progressive representatives? It's hard to put your finger on why we are where we are.
I campaigned for [Barack] Obama for more than a year. I was in Iowa, Minnesota, California, Arizona - just traveling around to help get the word out. It was such a huge, spirited campaign, and so positive. But you travel around to cities in the U.S. now and there's just this hopelessness that has set in. It makes it hard to understand why it seems so impossible to make any kind of progressive change with an administration that is seemingly progressive, or why we keep encountering such political roadblocks to change.
Whether people are in America or in Africa, people want to work. They want to have purpose. They want to provide for themselves and their families. They don't want handouts. They don't want to be completely dependent on their governments - even though there's usually no opportunity for that anyway.
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