Death confronts us not unlike the historical battle scene that hangs on the wall of the classroom. It is our task to obscure or quite obliterate the picture by our deeds while we are still in this world.
Evil is the radiation of the human consciousness in certain transitional positions. It is not actually the sensual world that is amere appearance; what is so is the evil of it, which, admittedly, is what constitutes the sensual world in our eyes.
I hate everything that does not relate to literature, conversations bore me (even if they relate to literature), to visit people bores me, the sorrows and joys of my relatives bore me to the very soul. Conversation takes the importance, the seriousness, the truth, out of everything I think.
The Expulsion from Paradise is eternal in its principal aspect: this makes it irrevocable, and our living in this world inevitable, but the eternal nature of the process has the effect that not only could we remain forever in Paradise, but that we are currently there, whether we know it or not.
One can disintegrate the world by means of very strong light. For weak eyes the world becomes solid, for still weaker eyes it seems to develop fists, for eyes weaker still it becomes shamefaced and smashes anyone who dares to gaze upon it.
It is only our conception of time that makes us call the Last Judgement by this name. It is, in fact, a kind of martial law.
People keep themselves at a tolerable height above an infernal abyss toward which they gravitate only by putting out all their strength and lovingly helping one another. They are tied together by ropes, and it's bad enough when the ropes around an individual loosen and he drops somewhat lower than the others into empty space; ghastly when the ropes break and he falls. That's why we should cling to the others.
One tells as few lies as possible only by telling as few lies as possible, and not by having the least possible opportunity to do so.
Art flies around truth, but with the definite intention of not getting burnt. Its capacity lies in finding in the dark void a place where the beam of light can be intensely caught, without this having been perceptible before.
The existence of the writer is an argument against the existence of the soul, for the soul has obviously taken flight from the real ego, but not improved itself, only become a writer.
One has just been sent out as a biblical dove, has found nothing green, and slips back into the darkness of the Ark
Two tasks at the beginning of your life: to narrow your orbit more and more, and ever and again to check whether you are not in hiding somewhere outside your orbit.
From the true antagonist illimitable courage is transmitted to you. To what indifference people may come, to what profound conviction of having lost the right track forever.
You too have weapons.
You, who can't do anything, think you can bring off something like that? How can you even dare to think about it? If you were capable of it, you certainly wouldn't be in need of it.
The old incapacity. Interrupted my writing for barely ten days and already cast out. Once again prodigious efforts stand before me. You have to dive down, as it were, and sink more rapidly than that which sinks in advance of you.
Going to pieces. To go to pieces so pointlessly and unnecessarily.
Woman, or more precisely put, perhaps, marriage, is the representative of life with which you are meant to come to terms.
Sometimes I'd like to stuff all Jews (myself included) into the drawer of a laundry basket. then open it to see if they've suffocated
I can once more carry on a conversation with myself, and don't stare so into complete emptiness. Only in this way is there any possibility of improvement for me.
For everything outside the phenomenal world, language can only be used allusively, but never even approximately in a comparative way, since, corresponding as it does to the phenomenal world, it is concerned only with property and its relations.
It's sometimes quite astonishing that a single, average life is enough to encompass so much that it's at all possible ever to have any success in one's work here.
The person I am in the company of my sisters has been entirely different from the person I am in the company of other people. Fearless, powerful, surprising, moved as I otherwise am only when I write.
My doubts stand in a circle around every word, I see them before I see the word, but what then! I do not see the word at all, I invent it.
Nervous states of the worst sort control me without pause. Everything that is not literature bores me and I hate it. I lack all aptitude for family life except, at best, as an observer. I have no family feeling and visitors make me almost feel as though I were maliciously being attacked.
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