I do remember, as a child, that I always imagined, when I was maybe 6 or 7, my fantasy was that everywhere I went I was being followed by an invisible film crew.
It's Sir Ben. I've not been a Mister for two years.
The many many imponderables come together when a film opens and for all sorts of reasons it may or may not succeed.
There is so much to do on a film set. It is an extraordinarily invigorating and wonderful place to be, when things are running well.
Working in film, if you work with great directors, you learn that after every take you must let go. Sitting with my wife at the Academy Awards, we both let the moment just go.
I think I'm more bonded, emotionally and in a craft sense, to films that tell extraordinary stories about extraordinary destinies.
My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.
When you drop your guard in films, the acting process compensates. You get lazy and you start acting.
There was one titanic guiding light on the film set, and I was in the presence of a true Mahatma, in the deepest and most profound sense of the word.
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