Jon Landau Quotes

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Dylan Pop Music Rolling Stones Songs Style Writing

I saw my rock'n'roll past flash before my eyes. And I saw something else: I saw rock and roll future and its name is Bruce Springsteen. And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time.

Jon Landau

Eye, Past, Night

"The Real Paper" Newspaper, 1974.

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I saw rock n' roll future and its name is Bruce Springsteen.

Jon Landau

Rocks, Names, Saws

"We Are Alive" by David Remnick, www.newyorker.com. July 30, 2012.

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The Beatles production is often so 'perfect' that it sounds computerized. 'Sgt. Pepper' really does sound like it took four months to make.

Jon Landau

Sgt Pepper, Perfect, Sound

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James Taylor may be an all-American boy but he isn't Horatio Alger, and the lionizing of many rock stars by the rock press has as much to do with old fashioned rags-to-riches stories as does the straight culture's deification of its idols.

Jon Landau

Stars, Boys, Rocks

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Elton John can be a master of the sleight of hand. The arrangements make it seem like there are substantial melodies underneath the tracks - but almost nothing demands repeated listenings. Similarly, he always sounds like he's singing up a storm, but his voice glosses over the material, reducing most things to an uninteresting sameness.

Jon Landau

Hands, Voice, Track

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Everyone eventually winds up writing about themselves - the problem is finding the best way to go about it. To write about oneself literally, in the first person, presumes a more interesting personal life and philosophy than most rock lyricists possess. John Lennon was good for one great album based on musical direct address, 'Plastic Ono Band.

Jon Landau

Philosophy, Writing, Rocks

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On the surface, rock and roll changes at an amazing pace. The influence of a figure like the Maharishi can appear and disappear in a matter of months. Talk about old fashioned rock and roll finds itself dead before it begins.

Jon Landau

Rocks, Rock And Roll, Pace

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Part of me believes that the completed record is the final measure of a pop musician's accomplishment, just as the completed film is the final measure of a film artist's accomplishments.

Jon Landau

Believe, Artist, Accomplishment

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There were many stars in Motown's firmament - among them, Stevie, Marvin Gaye, Smokey Robinson, Martha Reeves and Diana Ross - but I happen to have loved the Four Tops most of all.

Jon Landau

Stars, Four, Diana

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What makes the Stones' arrogance so divine is that we all believe that long ago and far away they weren't rich and famous but poor and struggling, just like us.

Jon Landau

Believe, Struggle, Long Ago

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Soul was the music made by and for black people. For most of the Sixties it was thoroughly divorced from white popular music, but by the end of the decade several artists with their roots firmly in both soul and R&B traditions had crossed over.

Jon Landau

Artist, Roots, White

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Elton John himself never seems pretentious but Bernie Taupin's lyrics often do - sometimes pretentious in a clever sort of way, but pretentious nonetheless. There is a conflict between Elton's and Bernie's personal styles, no doubt about it.

Jon Landau

Clever, Doubt, Style

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To her audience, Janis Joplin has remained a symbol, artifact and reminder of late Sixties youth culture. Her popularity never derived from her musical ability, but from her capacity to link her fantasies of freedom and immortality with ours.

Jon Landau

Musical Ability, Culture, Links

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As long as Elton John can bring forth one performance per album on the order of 'Someone Saved My Life Tonight,' the chance remains that he will become something more than the great entertainer he already is and go on to make a lasting contribution to rock.

Jon Landau

Rocks, Order, Long

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Barry White seemed so filled with self-parody at first that it was easy to dismiss him. But it is becoming increasingly obvious with every additional release that he is a very talented man.

Jon Landau

Men, Self, White

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Often, equipment can as easily function as a security blanket for musicians unwilling or unable to risk anything personal in the studio. Whether one catches the feeling on a record is a subjective matter. How can you be sure? The machinery can hold out the promise of at least mechanical perfection.

Jon Landau

Perfection, Feelings, Risk

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Joni Mitchell seems destined to remain in a state of permanent dissatisfaction - always knowing what she would like to do, always more depressed when it's done.

Jon Landau

Knowing, Done, States

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When the Beatles cut old rock n' roll, they were recording music still in their performing repertoire, and besides, they never thought of the music as old.

Jon Landau

Cutting, Rocks, Rock N Roll

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Bob Dylan was the source of pop music's unpredictability in the Sixties. Never as big a record-seller as commonly imagined, his importance was first aesthetic and social, and then as an influence.

Jon Landau

Records, Bob, Firsts

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Carole King's second album, 'Tapestry,' has fulfilled the promise of her first and confirmed the fact that she is one of the most creative figures in all of pop music. It is an album of surpassing personal-intimacy and musical accomplishment and a work infused with a sense of artistic purpose. It is also easy to listen to and easy to enjoy.

Jon Landau

Kings, Accomplishment, Creative

Jon Landau (1972). “It's too late to stop now: a rock and roll journal”

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The Beatles did their best cover work on Little Richard's 'Long Tall Sally' and music influenced by Richard, such as Larry Williams's 'Dizzy Miss Lizzie.

Jon Landau

Long, Missing, Littles

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The modern recording studio, with its well-trained engineers, 24-track machines and shiny new recording consoles, encourages the artist to get involved with sound. And there have always been artists who could make the equipment serve their needs in a highly personal way - I would single out the Beatles, Phil Spector, the Beach Boys and Thom Bell.

Jon Landau

Beach, Artist, Boys

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Since her landmark 'Tapestry,' Carole King has both oversimplified and over elaborated that masterful album's style until her music has become something more overtly but less effectively personal.

Jon Landau

Kings, Style, Albums

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'Call Me' is not an exceptional Al Green album, but it is as solid as a rock at its center.

Jon Landau

Rocks, Albums, Green

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In the end, the sign of Aretha Franklin's artistry is that she always leaves her mark - first, on the music, then on us.

Jon Landau

Firsts, Franklin, Ends

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Born: May 14, 1947
Occupation: Record producer
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