Roy Lichtenstein Quotes About Painting

Quotes about: Painting

• Color is crucial in painting, but it is very hard to talk about. There is almost nothing you can say that holds up as a generalization, because it depends on too many factors: size, modulation, the rest of the field, a certain consistency that color has with forms, and the statement you're trying to make.

  Roy Lichtenstein

  Color, Consistency, Trying

• I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and all the colors around it and what it will really look like.

  Roy Lichtenstein

  Color, Drawing, Mind

  "New Again: Roy Lichtenstein". Interview with David Bowie, www.interviewmagazine.com. September 20, 2012.

• Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.

  Roy Lichtenstein

  Cartoon, Done, Painting

  Roy Lichtenstein, David Sylvester, Galerie Lawrence Rubin (1997). “Roy Lichtenstein: new paintings”

• Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist. You forget that this has been thirty five years now and people don't look at it as if it were some kind of oddity.

  Roy Lichtenstein

  Thinking, Oddities, Years

  Roy Lichtenstein, David Sylvester, Galerie Lawrence Rubin (1997). “Roy Lichtenstein: new paintings”

• Painting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.

  Roy Lichtenstein

  Painting, Stem, Contrast

• Pop Art looks out into the world. It doesnt look like a painting of something, it looks like the thing itself.

  Roy Lichtenstein

  Art, Looks, World

  Interview by G.R. Swenson, "Painters on Painting" by Eric Protter, p 263, 1971.

• Color is crucial in painting, but it is very hard to talk about.

  Roy Lichtenstein

  Color, Painting, Colour

• Pop Art is industrial painting. I think the meaning of my work is that it is industrial, it's what all the world will soon become. Europe will be the same way, soon, it won't be American; it will be universal.

  Roy Lichtenstein

  Art, Thinking, Europe

  Roy Lichtenstein, John Caplans (1968). “Roy Lichtenstein: Exhibition 6 Jan.-4 Feb. 1968, Tate Gallery, London ...”

• Usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes. I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and the colors around it and what it will really look like. It's only a guess at the beginning, and then I try to refine it.

  Roy Lichtenstein

  Mind, Trying, Painting

• What interests me is to paint the kind of antisensitivity that impregnates modern civilization. I think art since Cezanne has become extremely romantic and unrealistic, feeding on art. It is Utopian. It has less and less to do with the world. It looks inward - neo-Zen and all that. Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself.

  Roy Lichtenstein

  Art, Thinking, Civilization

• But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it.

  Roy Lichtenstein

  Drawing, Paper, Dots

  Roy Lichtenstein, David Sylvester, Galerie Lawrence Rubin (1997). “Roy Lichtenstein: new paintings”

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