Somebody once told me - and I could be wrong about this - that The West Wing was, on any given episode, $300,000 over, on average. Now today, if you were $10,000 over budget, they would cancel you. For sure.
The universe works in mysterious ways and for me it worked out perfectly. With all respect to everybody else, Aaron Sorkin is and was The West Wing, full stop. There's no West Wing without him.
I had no regrets when I did it, I have even less regret now because I can't imagine staying on the West Wing show and then, six weeks later, Aaron Sorkin leaving.
We had shot six episodes of the West Wing season when 9/11 happened. An extraordinary thing that would never happen today is Aaron going to the network and saying, "I think we need to go back and reshoot, I have something I want to do," and the network just kind of let him do it.
Trying to execute that kind of intricate staging in the West Wing at the same time you're doing intricate dialogue - it's like patting your head and rubbing your stomach!
The script was given to me by one of my agents and they didn't tell me anything about it. My first reaction was, "The West Wing? Is it about a squadron of fighter jets?" Then I turned the page and saw, 'by Aaron Sorkin' and I knew it was going to be something good.
I just had such a blast coming up with this corporate dweeb [in the Sex Tape], a sort of nerd who was also doing coke and listening to death metal and was obsessed with Walt Disney art. I just felt it was a type of guy you hadn't really seen before, and I was so happy with how it came out.
[Bad Influence]was David Koepp's first big screenplay. It was actually a writing sample that was around town to get David work at the time, and Steve Tisch - now the owner of the New York Giants - found it, loved it, and together we put it together. But I'd say that would be the one I'd tell people to go and look at if they haven't seen it.
[Hank in the Sex Tape] such a fun part. That's how Jake Kasdan and I ended up doing The Grinder together, because we had such a great time on Sex Tape.
Helmut Newton shot the ad campaign [for Bad Influence]. It's [James] Spader at the top of his game, right after Sex, Lies And Videotape. It's sexy. It's weird. It's dark. The characters are great.
David Mamet, Tim Kazurinsky, and Denise DeClue, who adapted [ About Last Night]. Between the three of them... I mean, it's always down to the writing. You're only as good as your writing.
It was a little company that released [Bad Influence], it was really ahead of its time... I'm really proud of it. And it's Curtis Hanson. He'd directed a small movie before that, but it was his first directorial work that really worked.
Some of the '80s movies I did are sort of museum pieces. St. Elmo's Fire is great as a sort of kitschy, "Oh, my god, I can't believe we wore that" type of movie.
About Last Night... [movie] still stands up for me. Like, I'm as proud of that today and still have the kind of faith in it today to show it to a young couple as I did when it came out.
[ Hosting Saturday Night Live ] paved the way for Parks And Rec and The Grinder, the Comedy Central Roast, and that whole side of my career.
[Wayne's World and Tommy Boy] was all from hosting Saturday Night Live the first time [in 1990]. I just had such a great time, and I had such a simpatico relationship with Mike Myers. And Lorne [Michaels]. I'll always be grateful for Lorne, who saw me as funny.
I'd done light comedy. In some quarters, About Last Night... is a romantic comedy. So it wasn't like I'd been doing Sophie's Choice my entire career. But for whatever reason, nobody had really given me the room or the ability to be out and out funny. And Lorne [Michaels] and Mike [Myers] and Chris [Farley] and Dana [Carvey], that crop really helped me do that.
I know, there are so many great lines [in Tommy Boy]. People say to me, "Did you eat paint chips for a living?" Or, "These shoes are worth more than your life." And the one I get all the time is, "Brothers don't shake hands, brothers gotta hug!"
Chris [Farley] - I would consider him a comic animal. With the emphasis on "animal."
[Chris] Farley was a dear friend, and we remained close right up until the end. You know, there was nobody more fearless comedically than Chris. And that's saying a lot, because I'm friendly with a lot of funny people.
[Allison Janney] could memorize anything.She would memorize in the makeup trailer!
When I had my Comedy Central roast, David [Spade] was my first choice to be roastmaster, because I adore him. He's funny as hell, and nobody is meaner.
Allison Janney is the best actor on the series.Allison is one of the few actors I ever worked with who is incapable of hitting a false note.
Actually, if I had to do it over [leaving the show the West Wing], I'd do the same thing, because lost in the shuffle of it is that Aaron [Sorkin] left the same year I did. And I would not have wanted to be on The West Wing with somebody else writing it.
The West Wing and The Outsiders are the gifts that keep on giving.
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