People, chained by monotony, afraid to think, clinging to certainties... they live like ants.
It is women who bear the race in bloody agony. Suffering is a kind of horror. Blood is a kind of horror. Women are born with horror in their very bloodstream. It is a biological thing.
To win a woman, take her with you to see Dracula.
In making theories, always keep a window open so that you can throw one out if necessary.
Every actor's greatest ambition is to create his own, definite and original role, a character with which he will always be identified. In my case, that role was Dracula.
I have never met a vampire personally, but I don't know what might happen tomorrow.
It is women who love horror. Gloat over it. Feed on it. Are nourished by it. Shudder and cling and cry out-and come back for more.
I guess I'm pretty much of a lone wolf. I don't say I don't like people at all, but, to tell you the truth, I only like it then if I have a chance to look deep into their hearts and their minds.
Every actor is somewhat mad, or else he'd be a plumber or a bookkeeper or a salesman.
To die, to be really dead, that must be glorious.
I have lived too completely. I think I have known every human emotion.
It took several years of hard work in small roles before I attained stardom.
I don't have a dime left. I am dependent on my friends for food and a small old-age pension.
Women have a predestination to suffering.
I'll be truthful. The weekly paycheck is the most important thing to me.
Circumstances made me the theatrical personality I am, which many people believe is also a part of my personal life.
My body grew hot, then cold. I tried to eat the bed sheets. My heart beat madly. Every joint in my body ached. When I took the cure they took it all away from me.
It was hell to go through what I went through. I didn't know I had so many friends. Many people gave a damn about my situation. They helped cure me.
There was no male vampire type in existence. Someone suggested an actor of the Continental School who could play any type, and mentioned me.
The vampire was a complete change from the usual romantic characters I was playing, but it was a success.
I have played Dracula a thousand times on stage and I find I have become thoroughly settled in the technique of the stage and not of the screen.
That is different, to have someone think that I am evil when I really am not.
Actors were exploited no less by the capitalist managers than they were by the state.
Of all the roles I've done on the stage, I'm partial to Cyrano de Bergerac.
I look in the mirror and say to myself, Can it be you once played Romeo?
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