Anything that doesn't make sense, I don't want to give too much of my brain to.
I don't want to talk about nonsense because it doesn't help me.
As far as art and filmmaking is concerned, I don't see there's any separation; it's just one continuous thing.
I always feel I'm an amateur. I don't most of the time know what I'm doing.
The camera movement should be like a cat jumping onto a table - with just enough amount of effort and that's it. That's enough.
I think as an actor, you're more like a dancer, and you have to use your body. I don't understand all these questions about nudity. It's a nonsense. He's an actor, an artist, so get on with it.
I have difficulty putting words in peoples' mouths. The best dialogue is very, very thin dialogue; you let people improvise and then basically you record what they've improvised and then write it down.
People try to contain things by putting them into categories. I don't.
I deal with certain things in my work because of who I am. I make work in order to make people think.
I don't like to put too much effort into things. I find that once you get involved with special effects it is no longer about what is happening in front of the camera and I really want to concentrate on what is happening in front of the camera, like the man apparently peeing on the surface of the screen.
When I walk out into the street or go to the toilet, I don't think of myself as being black. Of course, other people think of me as black when I walk into a pub. Obviously being black is a part of me.
There is no right or wrong angle for something. The idea of putting the camera in an unfamiliar position is simply to do with film language. Sometimes it is spectacular, sometimes it is ugly, sometimes it is uninteresting.
I want people to do what they want to do because when they feel comfortable it seems to translate better on screen. It is when you put people in a straitjacket that it doesn't seem to translate very well at all. The individuals I work with are usually people I know.
I find it difficult to breathe when l'm in the space. There seems to be no oxygen. I want to put people into a situation where they're sensitive to themselves watching the piece.
Often the best way to relax is just to go back to work.
The best thing about making films is the time spent making them. When I see works that I've made, I always think what a great time I had making them. The films remind me of that time.
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