The human propensity is to believe that flukes of good fortune will never come to an end.
Good fortune is as light as a feather, but nobody knows how to pick it up. Misfortune is as heavy as earth, but nobody knows how to stay out of it's way.
It [the Civil War] was a heroic struggle; and, as is inevitable with all such struggles, it had also a dark and terrible side. Very much was done of good, and much also of evil; and, as was inevitable in such a period of revolution, often the same man did both good and evil. For our great good fortune as a nation, we, the people of the United States as a whole, can now afford to forget the evil, or, at least, to remember it without bitterness, and to fix our eyes with pride only on the good that was accomplished.
We must take care to live not merely a long life, but a full one; for living a long life requires only good fortune, but living a full life requires character. Long is the life that is fully lived; it is fulfilled only when the mind supplies its own good qualities and empowers itself from within.
Good fortune is the greatest of blessings, but good counsel comes next, and the lack of it destroys the other also.
Blessed be, the genius who never knew good fortune! Genius in itself already means so much; what meaning does luck still hold for him?
Sometimes Joyce is hilarious. I read Finnegans Wake after graduate school and I had the great good fortune of reading it without any help. I don't know if I read it right, but it was hilarious! I laughed constantly! I didn't know what was going on for whole blocks but it didn't matter because I wasn't going to be graded on it. I think the reason why everyone still has so much fun with Shakespeare is because he didn't have any literary critic. He was just doing it; and there were no reviews except for people throwing stuff on stage. He could just do it.
I have such amazing memories [about The Hotel New Hampshire movie], because Tony Richardson was such an amazing director, and the subject matter was so bizarre, and yet it was the most sought-after part at that moment. And then it had the good fortune to come out on the same day as Splash.
Those lucky enough to qualify as "intellectuals" have their own special responsibilities, deriving from their good fortune. Among these is the task that [Edward] Said describes, surely an important one.
I spent my youth and my most formative years in Africa. I left Africa when I was about 20, 21, and when Mo says a great African, I was really moulded by my African experience, although I had the good fortune that by the time I was 24 I had studied and worked on three continents - Africa, the US, and Europe.
The left think that this special place in the world, the United States of America, it just happened. It just is. And it's our responsibility, as those who are lucky and fortunate enough, to happen to have been born here. It is incumbent upon us to share that same luck and good fortune with everybody else. Otherwise we are mean, selfish, polarized, partisan, extremist, racist, sexist, bigot, homophobe, whatever.
If I had the good fortune of having the ability to influence people all over the world every time I spoke, I would do my best to make sure people understood why the United States of America is special, and then I would suggest that everybody who wants to come here, "I don't blame you, fine and dandy, there's a legal mechanism for this. We're not denying people the right to come to our country. There's a legal way to do it." That's another thing people forget.
I had the good fortune early on to cast some really great people that were not just characters, they had character.
My life has been so fortunate. I have had most extraordinary good fortune in my life. I sort of put it into three categories, the three major stepping stones. One being London Hippodrome theater stage debut when I was 12, when it started my career. The second being going to Broadway. And the third going to Hollywood. Each one of those happened under the most extraordinary circumstances.
I'm very fortunate, and the movies that I've made, even from the very beginning, have been very eclectic. The thing for me is: Am I emotionally engaged in the idea? Is there something special about it? Does it capture my imagination? So everything that I do is simply something that turns me on. And I have the good fortune to be able to make bigger movies and television that ostensibly pay for the other ones. I don't mean literally finance the movies. But they allow me to work on things for very little pay. I do these things because I love them.
I've always been someone that sets achievable short-term goals. I've never been someone that's had a five-year plan, or a three-year plan. That just seems to lead to a lot of disappointment, and doesn't give you the chance to be flexible. So I've just always been someone that's sort of reassessed where I'm at, and set goals that are realistic. And luckily, I've had plenty of chances to recalibrate and adjust, and good fortune's come my way.
I had the good fortune of being 9 years old when The Little Mermaid came out, that whole run of really beautiful Disney musicals, and so, the fact that I got to interview with Ron [Clements] and John [Musker], who directed The Little Mermaid, I was, like, I just walked in and said, "You're the reason I'm even here."
I had the good fortune to direct my first professional production with one of my Dad's masterpieces, The Man Who Came To Dinner. What it taught me was how beautifully the Kaufman and Hart plays are constructed: with economy, and wit, and warmth, and a sensibility, and heart/Hart that appeals to every stripe of theatregoers. It was a gift that can't be underestimated.
For, besides, that many persons find too sensible an interest in perpetually recalling such topics; besides this, I say, the motive of blind despair can never reasonably have place in the sciences; since, however unsuccessful former attempts may have proved, there is still room to hope, that the industry, good fortune, or improved sagacity of succeeding generations may reach discoveries unknown to former ages.
Balance and good fortune can only come to a person who is balanced and feels fortunate.
I just felt my good fortune, and I also trust my love for the book, my love for the material, and my reverence for Stephen King.
The fact that I fell into this seemed more like a stroke of good fortune than hard work. Not to say that I didn't work hard, but it wasn't like, "I'm going to be a musician."
I have the good fortune of working with two brothers who are very accomplished, incredibly smart, and very capable. So thankfully there is not an issue in that regard where somebody isn't pulling their own weight. We collaborate all the time. We tend to take different paths, but we tend to reach very similar conclusions. It's actually great because it allows us to be much more creative in the process of getting things done.
Good fortune almost always makes some change in a man's behavior - in his manner of speaking and acting. It is a great weakness to want to bedeck oneself in qualities which are not his own. If he esteemed virtue above all other things, neither the favors of fortune nor the advantages of position would change a man's face or heart.
Acknowledge your good fortune by sharing it.
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