I come from a place where there's violence and inarticulacy. I worked in a pub from the age of 12 or 13. I used to see people smashing glasses over each other. I was never tough. I was scared of them.
A lot of my words come to me when I'm out and about as well, riding the bus or sat in the pub. I went through a stage of going to a strip bar called the White Horse at lunch times and did a lot of writing in there. They were fine with that but I don't know how they would feel about me setting up the easel.
You could write a joke in the pub at lunchtime and watch it performed on television that evening.
I firmly believe as an author you have to go out in life and hear the stories of people. In pubs in the UK or a retirement home in the US it is the stories of others that bring a book to life.
What I like about organizing things that way is that each story gets nearly full reign over its own space, but all of them are hung on a single string - the loosely-reined voice mentioned above. Thus the collection jogs away from suzerainty and past federation toward, I guess, alliance. Or maybe call each story a separate house on a single street? Or it's all a line of dive bars on some wharf front? What the hell, let's call reading the collection a pub crawl, but with words.
Ignore the trade-pub narratives about how little success indies enjoy.
I think that it's so powerful for me to go see someone like Bridget Everett at Joe's Pub and watch her weave her songs in and out of these funny, tragic stories - you can talk and sing and it's not this horrible offense, you're going to get thrown in artistic jail.
The docks were said to be quite tough, but there were pubs you didn't go into if you were a respectable... but um, I never felt a sense of danger in Liverpool.
When's the last time you walked by a pub in Dublin and heard Irish music? When's the last time you ordered a coffee and heard an Irish accent?
Like behind the car or in the pub, to do a scene, a proper nice dramatic scene, it's always a treat. And they're usually shot as one, so you've got a big chunk of dialogue to learn, and you feel like you're working.
Its a bit cloudy in London but people are already drinking out on the streets- God Bless the pubs.
I was a barmaid for my mum for years, as we lived above a pub. I still can't hear the Heartbeat theme tune without breaking into a cold sweat, as it used to start at the same time as my shift.
I once worked in a pub. I couldn't add up to save my life, but I could pull the pints.
In a proper pub everyone there is potentially, if not a lifelong friend, at least someone to lure into an argument about foreign policy or the Red Sox.
A reading of the Declaration of Independence on the steps of a building is widely covered. The events that started the American Revolution were the meetings in homes, pubs, on street corners.
I used to go into pubs and people would want to pick a fight with me. I would hear a group of girls say: 'Oh look, there's Pat Cash.' And then one of them would come up to me and say, 'You think you're so good,' and throw a drink in my face. That kind of reaction from people was a bit of a shock initially, and you don't ever really get used to it.
The first ones I played were in New York at Joe's Pub; I played four shows, but I did something like 30 interviews and a couple radio shows in the mornings and completely blew out my voice. It kind of sucked.
I hate a macho sort who doesn't cry. They have to be a bit sensitive, don't they? They have to be a bit sensitive, don't they?
When I got to L.A. I woke up and I was losing my voice because of the dry air. It was like, "Oh my god, this is going to be Joe's Pub all over again."
I dread the day I leave [Doctor Who], because then I'll have to go back to writing bedrooms and offices and pubs. And maybe a field, if I'm lucky.
Let's all go and be feminists in the pub.
I felt an obligation even then to write a song that people would sing in the pub or on a demonstration. That is why I would like to compose songs for the revolution.
Two Irishmen were passing a pub - well, it could happen.
I used to go to my local pub and it was like a sanctuary, nobody dared ask for an autograph. You went in there for a ploughman's and a pint, and you went home and watched TV. Believe me, there's more to watch on British TV than American, except for CNN right now. But yeah, I miss it.
James, that's a bad situation. I'm not saying it's not repairable, but it's pretty far. When you go from being in one of the best bands in the world to some cover band... as far as I'm concerned, he was playing down at the pub.
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