The United States is not for democracy in Iraq, it's for setting up a puppet government.
It is no accident that I made Cartoon Town a simple little village - in many ways it mirrored my home town. And, yes, many of my puppet characters took on some of the more eccentric characteristics of people I knew there.
I have always used the burqa because men are using the burqa in the name of culture and religion to take freedom from women. Women are alive, they have their own wishes and desires, but all the time they have to sacrifice that. They are a kind of skeleton, which doesn't have muscles. They're just breathing, like a kind of puppet that barely exists. If women spoke for their rights, they were beaten by their husbands. So they don't have a voice. They lose their voices and their wishes and their happiness.
When I was young, my mum was part of a brilliant puppet theatre that toured all over the world.
"There is nothing," says a correspondent of the New York Times, "which the business world discards as unpractical and useless so much as the quiet, thinking scholar. But this is the man who makes revolutions. Politicians are mere puppets in the hands of men of thought.
The myth that holds that the great corporation is the puppet of the market, the powerless servant of the consumer, is, in fact one of the devices by which its power is perpetuated.
The only thing I haven't done as an actor, other than Thai puppet theater somewhere, is act on a Broadway stage.
I am drawn to writing and directing as it is most like the feeling I had when I was a teenager with my puppet theatre. You are more in control of everything and involved in every aspect of production, so more challenged and fulfilled.
I went to business school but left after four months because I just didn't want to be a puppet of society, stuck in an office, craving some sunlight.
The Israeli puppeteer travels to Washington and meets with the puppet in the White House. He then goes down Pennsylvania Avenue and meets with the puppets in Congress. The Israeli leader then 'brings back millions of dollars' in aid to Israel.
As a theatrical troupe, the Muppets haven't exactly been AWOL these past dozen years; the gang rocked YouTube in 2009 with their kick-ass rendition of Queen's 'Bohemian Rhapsody.' But they've certainly been lying low while our twitchy, tweet-y times have favored snarkier, more air-quote-driven entertainment, even from puppets. And in a way, that showbiz hiatus has worked in favor of The Muppets. For adults, the movie's gentle, clever, unironic humor feels freshly, trendily retro now, enhanced by laughs provided in cameos from a very up-to-date roster of stars.
If anyone would have been paying serious attention to my puppet shows, I would have been sent to therapy very young.
No one is moral among the god-controlled puppets of the _Iliad_. Good and evil do not exist.
I don't like it when they [media critics] see me as this little person who doesn't know what to do with herself -- like I have no idea what I want, like I'm just a puppet ... That's demeaning to me, because that ain't how it is, and it never was.
And I keep on fighting for the things I want. Though I know that when you're dead you can't. But I'd rather be a free man in my grave, than living as a puppet or a slave.
I feel like Obama's an Illuminati puppet.
Hello," Newel said. "Look, Doren, we have visitors. Kendra, Seth, and ... Muriel's weirdo puppet."....Newel grabbed Seth's hand and shook it vigorously. "Congratulations. You just found yourself a secret entrance." "So seriously," Doren said. "What's with the puppet?
When it comes to war, we focus more on the mainstream coverage of the event, rather than the event itself. People dying is never funny. Protest puppets are always funny.
From that awful encounter of the soul with the outer world, enunciation, wisdom, and charity are born; and with their birth a new life begins. To take into the inmost shrine of the soul the irresistible forces whose puppets we seem to be - Death and change, the irrevocableness of the past, and the powerlessness of Man before the blind hurry of the universe from vanity to vanity - to feel these things and know them is to conquer them.
I wanted to deconstruct the puppet show. I wanted to turn it inside out and do stuff that you're not supposed to do. I didn't want it to be gentle like most puppet shows tend to be, since they come from childhood where you're gently trying to tell a story. I wanted to blast all that out of the water. I think there's plenty of room of any kind of attitude toward puppets. I call puppeteering acting while hiding.
South Africa, with US support, after the fall of the Portuguese empire, invaded Angola and Mozambique to establish their own puppet regime there. They were trying to protect Namibia, to protect apartheid, and nobody did much about it; but the Cubans sent forces, and furthermore they sent black soldiers and they defeated a white mercenary army, which not only rescued Angola but it sent a shock throughout the continent-it was a psychic shock-white mercenaries were purported to be invincible, and a black army defeated them and sent them back fleeing into South Africa.
I'd say that that is a challenge, but it also is, again, it's helpful. It's helpful to have the discipline of, okay, I'm doing, I'm doing something that's quite precise over here, working the puppet, and I'm doing something that's very imprecise and creative and unleashed over here, which is the comedy side. And it's kind of nice to allow your brain to be doing those two things at once.
And one of the funnest things was watching what they did before the director called action and after the director called cut. And they'd keep their hands in the puppets, they'd stay in character, and then they'd start goofing around with each other and be off of script, and it would get quite blue.
We're also irreverent, we have an irreverent attitude towards puppets, as well. So a lot of what we do is we're kind of making fun of the puppets for being puppets, even while we're doing it. And again, that all feeds into the absurdity of this show.
Here was the astounding fact: the race did go forward; the race did achieve; and in every way the race grew better. Progress through irrational and astounding blunders, whose outrageousness bedwarfed the wildest cliches of romance, was what Kennaston found everywhere. All this, then, also was foreplanned, just as all happenings at Storisende had been, in his puny romance; and the puppets, here to, moved as they thought of their own volition, but really in order to serve a denouement in which many of them had not any personal part or interest...
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