One never knows enough about characters in real life to put them into novels. One gets started and then, suddenly, one can not remember what toothpaste they use; what are their views on interior decoration, and one is stuck utterly. No, major characters emerge; minor ones may be photographed.
As to the rest, I am no more guilty of imitating 'real life' than'real life' is responsible for plagiarizing me.
Child pornography is taboo. There are really no such things as snuff films. That's a legend. But movies are like pieces of dreams, and we don't need to go into those dreams. Those dreams are beyond. Child pornography - it's horrible. Human suffering is a horrible thing in real life.
I think one of the few times I've been involved with real-life characters was the story of Marie Bonaparte. I think it's really difficult to become someone that really existed.
In real life I'm obviously a lot more shy, but once I'm on set and in costume and I'm hidden behind the person I'm playing I feel quite free to experiment.
I love when I get to play these characters that are bigger than life. There are roles in animation that I never get to do in real life - and it appeals to my ego as an actor to play the Queen of Everything. I admit it.
I believe that when people try to live their life at the fullest, there's a certain laughter that comes out of it. The more they try to live their life seriously, the funnier it is. It happens all the time in our real life.
If you're trying to be realistic and bring real life to the screen, you are going to have different elements. That's what I'm trying to do. As I make the movie, different elements come in naturally.
Everyone has complexes about their body or their ability and skills and dream of a rebirth into something different. I myself have always had that secret desire to become something completely different and enact revenge on certain things. So I do that through my movies. My desires become reality in the movie because it can't become real in real life.
Sometimes I don't want to go out and socialize; I just want to watch my favorite shows and comedians. But then I have to remember that it is important to participate in life if you want to portray real life on screen.
I'm a hopeless romantic. I consider myself a realistic person who usually finds stories from real life people.
I got starstruck not by someone who is famous, but by someone who's famous in the miniature painting community. When I was a kid, I used to paint miniatures. There were famous people in the miniature community from forums online. I went to some big event and I saw them in real life and I was so starstruck.
I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.
It's very difficult to do street casting with girls, because a beautiful girl in real life won't necessarily have the silhouette or the presence needed for a show.
I read mostly historical fiction - lots of stuff set in ancient Rome and ancient Greece. I also liked sci-fi and fantasy: David Gemmell, Raymond E. Feist. It's a nice escape from the world. As much as I do love real-life stories, they can often make you hurt in a way I'd rather not hurt.
If Michelle Pfeiffer gave Mel Gibson a vial of blood to wear around his neck in a movie you'd think it was terribly romantic, everyone would cry and they'd win awards. But in real life if someone does that they'd be considered weird.
I would like to continue acting. I tell people I can't go back to real life. I have to see how far I can go with it. I am serious about it, and I believe that it's my calling. I think it's what my life's path is. It's what God has given me. It's what I was born to do. And so I must do it.
Towards the end, one of them [children in "The White Queen"] was older than I was in real life.
There was a long time in my life where I made music that I thought my friends would like, or that I thought would get me a record deal, or what I thought I was supposed to make because that's what I was seeing in mainstream. I didn't know myself; I didn't find myself musically or, in real life.
Erotic movies - they don't even make it anymore. Even the erotic magazines don't really look like the ones you could find in the '70s. You have much more extreme iconography of what is sexy. It's very cold. There's nothing that links to real life.
There is a set of balances and rhythms to a novel that we can't experience in real life. So I think there is a sense in which fiction can rescue history from confusion.
I don't go to conferences quite as much as I used to: having a child and movin away from the university leaves me with less time, but I've tried to balance things out - not just spending time with Linux all the time, but having a real job and a real life at the same time.
My favorite book in the Bible is always Proverbs because it's where you can find wisdom for no matter what you're going through. It hits me every time I read it. I've always read Proverbs regularly because it helps me deal with what's happening every day in real life.
It's a mystery that thing about chemistry because often people who hate each other in real life and hate each other on the set have great chemistry on the screen. And people who love each other in real life and love each other on the set have absolutely no chemistry whatsoever.
Filmmaking is about moments. In real life, things might take six months, a year, but [in filmmaking] you have to create the moment where it happened.
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