Art devoid of danger lacks many other things as well: pleasure, beauty, and the ability to save us. Poems that divest the self of its masks in order to analyze how those masks are made - by what means, by whom, for what ostensible purpose - those poems risk offering us refuge.
That's the way it goes with the whole human thing - nobody wants to take a risk. But to be entertaining is not risky, everybody likes to be entertained.
Some major problems can be solved by our political process and our leaders. Others can be solved only when there is popular demand and insistence and politicians feel at risk of unemployment if they ignore the groundswell.
The president-elect Donald Trump moved a bit closer to getting his Cabinet in place with another round of confirmation hearings. The most contentious was for his treasury secretary pick, Steven Mnuchin, a billionaire banker who worked at Goldman Sachs and owned a hedge fund. There was important news that came out during the hearing. Mnuchin said that he would support raising the debt ceiling sooner rather than later, and not risk the country defaulting.
There are still so many risks to coming out in a conservative society, and I don't think suggesting one way of doing things will work for everybody. I do believe, however, that you can only be happy if you are true to yourself. So taking that first step - of coming out to yourself - that's something I hope every young LGBT person can feel safe doing.
We're still really in catch-up mode in terms of alerting people to the risks of social media, to the kind of consciousness that you need to have when you do publish something. It used to be such a deliberate and elaborate process to get to publication with many steps and phases and editors and you know, now it's instantaneous and it's wonderful, you know, the immediacy and the power of that but it also can be dangerous.
All North Koreans know the risk of all their actions. Yeonmi Park grew up in North Korea and says watching outside videos changed her perspective of the world. She says, as a child, all she learned from watching state-run media was love for the Kim regime and North Korea.
You're taking big risks doing comedy, because ultimately, you're trying to be funny. If you're not funny, you look like an idiot. You have to be prepared to look like an idiot, so you need to have confidence in the man at the helm of it all. You have to take a massive leap of faith and be daring and bold with your choices. It always makes for better work I think.
As the photographer, it's challenging to make images that read quickly and are powerful, but have enough humanity and compassion. I've worked on these issues in the developing world because that's where the risk to girl's safety and access to education is the highest. But that doesn't mean that we don't have issues in the U.S. or western countries. For me, I focused on the developing world because it felt like the issue was more urgent there.
Do you realize how many people of this country have been educated, have grown up, who have been taught that, yeah, we're at risk and there's a lot of people that want to blow us up and don't like us. But we are to blame. That's what they've been taught. We are to blame, 'cause there was slavery, because we've stolen all these goods and resources from other countries. We have imposed our way of life on them! We've sent our military around, and we've conducted wars on their territory and so forth.
I like to control the risk I take. And when risk is taken out of my hands, it frustrates me.
Hopefully we can come together without tragedy making us do this. Because ultimately underneath it all, at the risk of sounding cliché, we have so much more in common than we do different. When someone loves someone we should celebrate that and be happy for the people in love. That's the goal. We're all here because we want to be loved and love someone else.
Putin himself is a bit of a risk taker, so the invading Ukraine, in the east in particular - Crimea was risky.
With war and famine and flood and special effects films, when you do somebody under duress, you have to be really be inventive and the risk of keeping it very simple is you might loose some of the audience because it's not overt, it's hidden, not coming at you. Then you might cut through to some of this numbness and reach something profound and tragic.
I can't live my life under the sort of "I cannot fail" philosophy, because then every time I do fail, which feels more inevitable than me being perfect all the time, it's going to be soul crushing. And more importantly, I'll never take any risks.
One of the consequences of if the Affordable Care Act is repealed, is that all of us now are at risk of being a preexisting - of having a preexisting condition waiting to happen. Life, increasingly, is a preexisting condition waiting to happen, now that we have more and more of this data available.
I think you do have to attend to the sort of core values of film, which is that the audience wants to have a relationship with the characters, they want to understand what's going on there. There are certain things that comics can have a little bit more freedom in then when you're asking an audience to engage in it as a piece of cinema, but I do feel like the canvas is much bigger and wider and that we're being invited and frankly challenged to take risks, to be a little bit different. And that's fun, that's exciting.
The entrepreneurial struggle is the same at basically every stage in the sense that there's maybe slightly less risk but strategic issues are generally always the same. Now there's so much existential risk from another company either being able to compete or to disrupt you in the same way you're disrupting somebody else, an entrepreneur needs a real steady partner who has the ability to start working with them in the Seed or the A and be credible and value-add with strategic advice, and just be backstopped by so much capital that you can do any growth round or even a public round.
The risk is that you've got a vast majority of the electorate saying that they believe the country is going seriously in the wrong direction. But the message here will be hope and optimism and also underscoring the history nature of this, with a woman taking the - a major party nomination for the first time.
What caused 2008, in my opinion, is that people just didn't see the risk. These people that took on all this risk didn't think they had it - they thought they hedged it all away. As long as there's a perception of risk, and a culture of looking for risk, it's going to be hard to deflate us.
When you raise the budget, you make creative compromises. The higher the budget goes, the more cuts in your movie happen. When people talk about how movies are watered down, that's a direct reflection of money and budget. The less money you spend; the more risks you can take. That doesn't mean it will be successful, but at least you can try different stuff. The higher your budget is, the less you can do that.
I think the sign of complacency in the stock market is when people don't worry. At the moment, everyone worries about everything. They worry about geopolitical risk, about political risk, they worry that the markets are too high. The time to really worry is when everyone thinks that markets are going up and everything is going really well.
There isn't an entrepreneur or a scientific pioneer who hasn't had failures. And if we don't rear children who are comfortable taking risks, we won't have successes.
I am the opposite of boring, but I'm a little reckless, and I'm not against taking risks, and I think I'm always down for an adventure.
Yet optimism is in order, because day by day democracy is proving itself to be a not-at-all-fragile flower. From Stettin on the Baltic to Varna on the Black Sea, the regimes planted by totalitarianism have had more than 30 years to establish their legitimacy. But none - not one regime - has yet been able to risk free elections. Regimes planted by bayonets do not take root.
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