Joss [Whedon] is an excellent storyteller. It really doesn't matter what medium he's working in.
I am a storyteller, and I do love ideas.
We see ourselves as filmmakers and as storytellers. We want to make films that move people emotionally. The most effective thing that cinema can do is get into people's hearts and have them see a new perspective on life - step inside someone else's shoes and mind for 90 minutes and experience the world in that way.
I'm a reader and a storyteller, and God chose literature and story and poetry as the languages of my spiritual text. To me, the Bible is a manifesto, a guide, a love letter, a story.
This unceasing interplay between experience and narrative is a uniquely human attribute. We are the storytellers, the ones who put life into words.
First and foremost, I consider myself a storyteller. And I'm endlessly fascinated with people, with what they do and why... and how they feel about it. Which means I'm interested in romance fiction. I was drawn to it, as both a reader and a writer, at the very beginning of my career. It's my kind of storytelling.
Sometimes not honoring your character makes for really good television, but that also can really upset fans. You have to turn things upside sometimes. As a storyteller, you have to know that sometimes you're going to let your fans and the audience down because you have to do your part in servicing the story.
It's the same old story. Nothing in this world happens unless white folks says it happens. And therein lies the problem of being a professional black storyteller - writer, musician, filmmaker.
When I left university I was sure that I was going to be a painter. Then I had a crisis, a revelation. I saw Dolce Vita and my mind was blown by it, by the synthesis. I realised I wanted to be a filmmaker and started making films. I was writing screenplays and couldn't get money because my work was so uncommercial. I got married and started writing fiction. What was wonderful is that it gave me my freedom because no-one can tell me I can't work. Novels have become equally important to me as films. I consider myself a storyteller and passionately engaged in both of those disciplines.
Indians are marvelous storytellers. In some ways, that oral tradition is stronger than the written tradition.
Anyone who loved Tuesdays with Morrie should delight in reading The Five People You Meet in Heaven. Mitch Albom has populated his larger-than-life tale with memorable characters and filled it with the abundant warmth and wisdom that we've come to expect from this gifted storyteller.
I feel like there's lot of people who know finance and economics better than I do. There are lots of people who are better storytellers than I am. But the space that I occupy of storytelling about finance and economics is - more people want it than can do it.
All writers, all storytellers, are imposing their own narrative on something.
For me, even in the most subtle and introspective story, it's all about tension: this is the thread that ties a reader to story, something in the rhythm and in the argument that hypnotizes and pushes us to read with great attention. As a reader, I love the storytellers who play with this, and as a writer it is something I always look for.
For some people, I got away with something. And you know what? That's a fair thing to say, for them. I'm not saying I agree with that, but I can see how they can say that. But it's a matter of just like...you know, I'm really fortunate. As a journalist, I don't have to agree with you to talk to you. My job is to figure out why you think the way you think. I want to get to the root of why you think the way you think. That's what I find most fascinating as a storyteller.
I think the fun thing about this franchise [Planet of Apes], as storytellers, is that a lot of the franchises are very black and white. This is all about the gray areas; it's really about the nature.
I don't just look at things as an actor. I've also written several films, so I look at it as a storyteller and I know if something worked and should have been in there for the benefit of the story and the benefit of the character.
I studied physics at Princeton when I was a college student, and my initial intention was to major in it but to also be a writer. What I discovered, because it was a very high-powered physics program with its own fusion reactor, was that to keep up with my fellow students in that program I would need to dedicate myself to math and physics all the time and let writing go. And I couldn't let writing go, so I let physics go and became a science fan and a storyteller.
I feel like I learn every day how I can be a better producer or writer or storyteller. The thing that keeps me the most balanced is just going home every day and getting my ass kicked by my kids, and having a wife who is the most wonderfully/brutally honest person I've ever met. I think that that is always the first lens through which I see the world. For everything else, I'm just grateful for the people I work with.
As a matter of fact - it'll probably ruin my movie career - but I think better storytellers are in television.
Fan feedback going from a box of letters once every few months to literally tweeting while the show is airing. We are able to get a much quicker response to the choices we're making as storytellers.
I build my stories character-first, and so whether it's a monster or a ghost or a serial killer, the fear of something dark interrupting life has just always been something that matters to me as a storyteller, or what I keep finding myself drawn back to.
Cory Doctorow is a fast and furious storyteller who gets all the details of alternate reality gaming right, while offering a startling, new vision of how these games might play out in the high-stakes context of a terrorist attack. Little Brother is a brilliant novel with a bold argument: hackers and gamers might just be our country's best hope for the future.
I think I wanted to be a storyteller because I had a very active dream life. My life was boring, and I dreamed about a life bigger than my own. I've always just been that person, from my earliest memories at age 2.
That's a very real feeling - that I don't have a story to tell. I'm not a pure storyteller. I have a tough time with story.
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