I opened the Woodstock Festival even though I was supposed to be fifth. I said, 'What am I doing here? No, no, not me, not first!' I had to go on stage because there was no one else to go on first - the concert was already two-and-a-half hours late.
I know about Woodstock probably as much as your average person who is over 30, where I'd know Jimi Hendrix, Janis Joplin, Grateful Dead.
People say Altamont was the end of the 60s. It was unfortunate, but at the time we didnt think of it as signaling anything. The fact that nobody got killed at Woodstock is amazing because that was half a million people. We only had 300,000 at Altamont.
Just in time for Bob Dylan to recoil from the attention, leave the city for Woodstock, and turn his back on fame.
It's an honor for me to close out Mysteryland. In American music history this is hallowed ground. I think electronic music has a lot in common with the spirit of rock and roll and what Woodstock had going on at the time. We are kind of the new kids on the block and this music isn't accepted by everyone so we are still kind of getting into pop culture and I think its appropriate that this festival is here and kicking down the door.
To come out here and play on Woodstock grounds, first year ever headlining on the main stage there's nothing more iconic. [Mysteryland] is one of those festivals that holds down the legacy of dance music it's been around for so many years. It's been part of what we do for so long. It kinda makes sense to bring the tradition over here to America. The festival grounds of Woodstock, that's pretty epic.
And it may be that a crowd at a particular moment of history creates the object to justify its gathering, as it did at the first Human Be-In and Monterey Pop and Woodstock. Or it may be that two generations of war and surveillance had left people craving the embodiment of their own unease in the form of a lone, unsteady man on a slide guitar.
You went to Woodstock and all that trash, your generation is fading fast.
The "problem" is that Comic-Con is so damned successful. People who are there seem to have a wonderful time. The very size of it makes it exciting. Wherever you look, there's something exciting. The attendees are always looking around for a familiar face. It's either 'There's a movie star!' Or, 'There's a TV star!' Or, 'There's the guy who drew the Green Lantern!' It means so much to the fans. It makes them feel like they're where it's happening. It's like Woodstock.
Rihanna is a pothead and so am I, so we're real cool. Weed is going to bring us together as a generation. Drugs is what created Woodstock. Let's be clear about that.
I was living in Woodstock for a long time, and I thought, I got to get out of here, man.
I rented a summer home in the winter on Long Island, I took long walks, and then I ended up moving to Woodstock. It was a fertile musical area and time, and I played with a lot of different musicians there, including getting into women's music, and I ended up playing with Cris Williamson.
I'd have to say that the 1994 Woodstock completely destroyed anything that came after it.
When my mother was raising me, she moved us upstate to the Woodstock area. Our closest neighbor was a mile away. She planted all her own vegetables.
Chicago '68 was a relatively small demonstration for its time, but I've talked to millions of people who claim they were there because it felt like we were all there. Everyone from our generation was there and was at Woodstock.
I don't care what you do, I just don't want to be a mud hippie like you. [From 1994 woodstock]
Even Woodstock turned out to be a disaster. Everybody was stuck in the mud and people got sick.
I'm from the '60s, but no one has ever accused me of being a hippie. I never had much interest in the Woodstock crowd, which partied to change the world, while real people were starving to death in Africa.
I write most of my first drafts on an old manual typewriter, a really old one. It's a big black metal "Woodstock" from about 1920. I try to write everything down at once, in one sitting. The longer stories in this collection are divided up into sections. Each section represents a different sitting, a different idea for the same story.
Abbie Hoffman's inspiration was, in a sense, inadvertent. I wanted to do something to celebrate the 20th anniversary of Woodstock at the time, and it just happened that Abbie died the same year. Hoffman was always an inspiration to me, for his activism and execution of that activism, and any of his books will give you a guide and a map to creating almost anything, if you apply it to what it is you want to do.
Live Aid was a baby Woodstock, a child of Woodstock, which I call Globalstock.
A few performances have been left out of the various Woodstock soundtracks and film edits over the years, most notably The Grateful Dead.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: