We are now living in an age which doubts both fact and value. It is the life of this age that we wish to see and judge.
Art never responds to the wish to make it democratic; it is not for everybody; it is only for those who are willing to undergo the effort needed to understand it.
You have to quit confusing a madness with a mission.
I think it is safe to say that while the South is hardly Christ-centered, it is most certainly Christ-haunted.
Policy and politics generally go contrary to principle.
Your criticism sounds to me as if you have read too many critical books and are too smart in an artificial, destructive, and very limited way.
Ours is the first age in history which has asked the child what he would tolerate learning.
We hear a great deal of lamentation these days about writers having all taken themselves to the colleges and universities where they live decorously instead of going out and getting firsthand information about life. The fact is that anybody who has survived his childhood has enough information about life to last him the rest of his days. If you can't make something out of a little experience, you probably won't be able to make it out of a lot. The writer's business is to contemplate experience, not to be merged in it.
The Catholic novelist in the South will see many distorted images of Christ, but he will certainly feel that a distorted image of Christ is better than no image at all. I think he will feel a good deal more kinship with backwoods prophets and shouting fundamentalists than he will with those politer elements for whom the supernatural is an embarrassment and for whom religion has become a department of sociology or culture or personality development.
Most of us come to the church by a means the church does not allow.
A gift of any kind is a considerable responsibility. It is a mystery in itself, something gratuitous and wholly undeserved, something whose real uses will probably always be hidden from us.
You can't clobber any reader while he's looking. You divert his attention, then you clobber him and he never knows what hit him.
Children know by instinct that hell is an absence of love, and they can pick out theirs without missing.
There are some of us who have to pay for our faith every step of the way and who have to work out dramatically what it would be like without it and if being without it would be ultimately possible or not.
The basic experience of everyone is the experience of human limitation.
You don't serve God by saying: the Church is ineffective, I'll have none of it. Your pain at its lack of effectiveness is a sign of your nearness to God. We help overcome this lack of effectiveness simply by suffering on account of it.
Many of my ardent admirers would be roundly shocked and disturbed if they realized that everything I believe is thoroughly moral, thoroughly Catholic, and that it is these beliefs that give my work its chief characteristics.
I have found, in short, from reading my own writing, that my subject in fiction is the action of grace in territory largely held by the devil. I have also found that what I write is read by an audience which puts little stock either in grace or the devil. You discover your audience at the same time and in the same way that you discover your subject, but it is an added blow.
I spend three hours a day writing and the rest of my day getting over it.
Go warn the children of God of the terrible speed of mercy.
I am a Catholic not like someone else would be a Baptist or a Methodist, but like someone else would be an atheist.
Writing is a good example of self-abandonment. I never completely forget myself except when I am writing and I am never more completely myself than when I am writing.
When there is a tendency to compartmentalize the spiritual and make it resident in a certain type of life only, the spiritual is apt gradually to be lost.
Grace changes us and change is painful".
If there were no hell, we would be like the animals. No hell, no dignity.
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