I don't deserve any credit for turning the other cheek as my tongue is always in it.
A working knowledge of the devil can be very well had from resisting him.
On the subject of the feminist business, I just never think...of qualities which are specifically feminine or masculine. I suppose I divide people into two classes: the Irksome and the Non-Irksome without regard to sex. Yes and there are the Medium Irksome and the Rare Irksome.
In most good stories, it is the character's personality that creates the action of the story. If you start with real personality, a real character, then something is bound to happen.
To the hard of hearing you shout, and for the almost blind you draw large and startling figures.
For me it is the virgin birth, the Incarnation, the resurrection which are the true laws of the flesh and the physical. Death, decay, destruction are the suspension of these laws. I am always astonished at the emphasis the Church puts on the body. It is not the soul she says that will rise but the body, glorified.
Unadaptability is often a virtue.
Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay. I'm always irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality and it's very shocking to the system.
Dogma is the guardian of mystery. The doctrines are spiritually significant in ways that we cannot fathom.
I am tired of reading reviews that call A Good Man brutal and sarcastic. The stories are hard but they are hard because there is nothing harder or less sentimental than Christian realism.... when I see these stories described as horror stories I am always amused because the reviewer always has hold of the wrong horror.
The mind serves best when it's anchored in the Word of God. There is no danger then of becoming an intellectual without integrity.
If you don't hunt it down and kill it, it will hunt you down and kill you.
The only way to the truth is through blasphemy.
It is hard to make your adversaries real people unless you recognize yourself in them - in which case, if you don't watch out, they cease to be adversaries.
The way to despair is to refuse to have any kind of experience.
Remember that you don't write a story because you have an idea but because you have a believable character.
Sickness is a place, ... and it's always a place where there's no company, where nobody can follow.
Most of us have learned to be dispassionate about evil, to look it in the face and find, as often as not, our own grinning reflections with which we do not argue, but good is another matter. Few have stared at that long enough to accept that its face too is grotesque, that in us the good is something under construction. The modes of evil usually receive worthy expression. The modes of good have to be satisfied with a cliche or a smoothing down that will soften their real look.
In the first place you can be so absolutely honest and so absolutely wrong at the same time that I think it is better to be a combination of cautious and polite
To expect too much is to have a sentimental view of life and this is a softness that ends in bitterness.
The trees were full of silver-white sunlight and the meanest of them sparkled.
I suppose half of writing is overcoming the revulsion you feel when you sit down to it.
Art never responds to the wish to make it democratic; it is not for everybody; it is only for those who are willing to undergo the effort needed to understand it.
Satisfy your demand for reason but always remember that charity is beyond reason, and God can be known through charity.
St. Cyril of Jerusalem, in instructing catechumens, wrote: “The dragon sits by the side of the road, watching those who pass. Beware lest he devour you. We go to the Father of Souls, but it is necessary to pass by the dragon.” No matter what form the dragon may take, it is of this mysterious passage past him, or into his jaws, that stories of any depth will always be concerned to tell, and this being the case, it requires considerable courage at any time, in any country, not to turn away from the storyteller.
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