I always think everything is going to be my last job so every single day is a gift. This whole life is an accident for me.
I think so much of a director's job is just to convince you that what you're doing is worthwhile. "Yes, this does mean something, we're not just messing around." Even though at the end of the day it's a film. But at the time it's something else. I don't feel like I'm making a film, I'm confronting things in myself. I don't know what it is. So if someone is enthusiastic enough to convince you that it's important it's kind of magical.
I'm trying to make something every time that feels new and surprises people. Hopefully at least one person. But it's not like I turn it off. I don't make a movie and then go back to my normal life. When I'm finishing one movie the next day I'm thinking about the next one.
Most of the time I'm by myself finding the next thing. Being an A&R guy, basically. I don't know how long I can do this for. I'm constantly fascinated by actors who are so confident with their career that they do a project and then go on vacation.
I feel like you have to earn something with an audience. If I just did it now, I think producers on any superhero movie, I think they wouldn't trust me to do it the way I'd want to do it, because I'd want to do something basically really strange. I think you have to earn that freedom to do stuff like that. So I think, if I keep kind of chipping away, trying to do good movies and interesting, strange movies then people will eventually trust you to do that on a bigger scale.
To be honest, everyone thinks that a digital camera is more reliable and every single time I work on any movie, it's just as many problems, the memory card doesn't work or blah blah blah, it overheats; it's the same volume as another camera. I think people are bit taken in by it.
If you are using a digital camera specifically for that reason you have in mind from the beginning, then yeah, it'll work. But like if you're just shooting a normal film and just kind of just shooting extra stuff because you can because you've got the memory space, it's a bit pointless.
I watch so many movies and I find a lot of them very predictable, and also, a little bit playing it safe.
I also think if you get sort of early success there's always this part of you which feels like, "I need to address the imbalance, I need to kind of earn that success after the fact". I try to find roles that are hard and also, I still find now, even after I've done loads of really random movies, directors are really surprised that I want to play the parts that I want to play. They just assume that you want to only do the honorable good guy lead who saves the day or dies at the end .
I always think that you have to have a certain understanding of what an audience would want to see from you as a public person as well as a character.
As soon as you have someone who's providing stuff to react to, especially working with a baby, it's great.
Every time I would say put a baby in every scene.
I actually quite like working with kids and I like working with animals, which is what everybody says you shouldn't do, because it makes you feel like you're not acting.
I used to be able to be in England and just be fine. No one had any idea who I was.I get a lot more abuse in England.
I think that's just a general English attitude [being abusive]. I did the same thing to famous people.
You really, really feel like you have no control [participating in franchise] . I mean, it's a huge juggernaut, especially when something becomes part of the cultural landscape in a way as well. It's really scary because you get trapped and you get scared of changing, which is the worst thing that can happen if you want to be any kind of artist.
After the first one [Twilight Saga movie], as soon as people start referring to something as a franchise. A franchise is a Burger King or a Subway. It's not a movie. The people who start to say it are generally the people who are making money off of it. That's how they refer to it. They love it when something has become a franchise. But, as an actor, I think it's scary.
I'm trying to sign up and do movies that I'll be proud of it. That's kind of how I think about it.
It's a strange place where the film industry is at. I guess you could just play superhero after superhero. That seems to be the only guaranteed big-money thing. I don't know.
You can make five massive hits in a row and still not get cast by the directors who you want to work with doing little movies.
If I could get any semblance of - it's not really anonymity, but a little bit more - control over my public image, I guess that would be nice.
I don't know how people will remember this series [of the Twilight Saga] at all. It's crazy how intense people are.
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for in a way. They wanted it to be something special. Also, none of us were really known then as well.
People ask me if I'm afraid of getting typecast, but you can't be afraid of that. It's really not up to you. I'm getting other parts that aren't vampires. I don't know if people will accept me in them, or whatever, but there's really nothing to be afraid of.
What was the worst thing [making Twiligh]? Playing the part where you can't get hurt and you can't die because there's no framework. There are too many possibilities if you can't die. If you're playing a normal human being, there's always that.
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