It's painful to watch your parents not be in control of things.
I remember somebody handed me Siddhartha when I was I think 18, and I started to read it and I just really didn't like it, and I left it and it was just gathering dust for years. Then maybe five years later, the world shook as I read it.
As you get older as an animal on the planet, you want to get a little more comfortable, you want to get cozier.
There's something about trying to know when you really need to protect yourself, or else you're not going to get anything done, and sometimes to be really uncomfortable or agitated or annoyed or bored. Boredom is so important.
I don't think about, "How does this song that has more of an electronic mix prefix to a song that has a full orchestra next to a song that has other things?" I just work on it as-needed.
I spent the '80s in the Soviet Union and when I came to America it was '89 and I was in an immigrant bubble and we didn't have MTV or cable, so I kind of discovered the '80s when I was already older, maybe in college. And I continued to have this romantic obsession with all those films and there's this sound I hear in my head and it's kind of this bittersweet romantic, dark sound.
I just love fiction. I love it.
I'm both kinds of a person; I have a side of me that's very light and very optimistic and finds everything surreal and hilarious, and then I have a side of me that's - I don't know what the right word is - tormented or just feels very overwhelmed.
You ask a person what their personal favorite song on the album is, and it's literally the one with the least amount of listens if you looked at the statistics of it.
I have the coolest parents.
Part of you just has to be in service of processing things and getting them out.
You can take art, you can have a baby, you can have a career.
I have to work hard and organize myself so that I'm present and not a slacker.
It's always interesting to me to see people projecting things, like people would say, "This record is much more mature than your other record" and I would think, "Well, this record has more songs from when I was 18 on it than the other one."
Art is arbitrary but it sort of reveals itself to be right or wrong anyway.
I have this obsession with the '80s because I missed all of it.
When I think of my art tribe - you know, my peeps - there are certain people who are autobiographers that I really love. But for the most part, overwhelmingly, my tribes are the surrealists and the storytellers, in song and literature.
When I walk through the city, I just think that I see my family. I see us in everybody, you know? I see us.
This is the way I want to die. Torn apart by angry fans who want me to play a different song.
The world that has made us can no longer contain us
No one laughs at God in a hospital.
It's a real gift to be able to have the works of brilliant, great people to learn from and build from. It gives you so much more to draw on, and then you don't have to be all about three-chord pop songs. I don't really like that kind of writing.
Maybe I am skipping over the city and going from very personal things to the world, from internal experience to giant, far-away-from-space experience.
We’re trying to be faithful but we’re cheating, cheating, cheating
No one's laughing at God -We're all laughing with God.
"Never, never mind your bleeding heart."
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