Maybe my biggest aim is to bring a sense of that old mystery of rock 'n' roll into the new age of today's instantaneous and fast world.
Something I do love about social media is how you can expand your idea. You can make an extension of your art as opposed to just using it for promotion.
I feel like if you let someone else create your vision, then it's not true to your band. No one can ever do as good as you want, or as good as you can yourself.
There's a lot more information at hand and sometimes there's information overload and we become desensitized to it, so things start to mean less.
A song is what you fall in love with first, but then I think a band's ideals and a band's sense of fashion and a sense of how they treat people is what you fall in love with afterwards.
I think good music makes you feel free, and if people feel free when they come to a show or listen to my music, that would mean the world to me.
In the old days gigging was everything. The whole of life was about gigs. Everything was about waiting for the gig and then doing the gig and going nuts and then afterwards the party and all the stuff that goes with it. And then that party continues through your twenties and thirties. I'm now 51, and it's still very much in my blood, but I'm really hard pushed... the gig is the party for me now.
I think of myself as a highly spiritual person, but without - I was never really given a religion or a religious experience or a community to sort of subscribe to.
It's the nature of human consciousness to look for trouble constantly, and we find it. We find it.
It's true that I can write a song and not really be sure what the meaning of it is.
I'm often surprised by classical music and musicians. I've met a large number of them because my wife works for the Boston Symphony, and I'm in that world a lot now. I'm surprised at how difficult it is for people who are classically trained to read music or to memorize music, how difficult it is for them to improvise, to just go off and play. It's sort of, it's like terra incognita. They just, (makes noise) they don't get it.
In the beginning, there was a kind of energy that - like an urgency to express myself, and the songs just couldn't be held in. But I think it changes, the nature of how that - what that energy is. And I need to court the muse in a much more serious way.
People are making a lot of music and higher and higher quality. I can't say the same thing for how people are listening to music. People are hearing music through terrible speakers, little computer speakers, there's a lot to get back to in terms of hi-fi and people listening to better quality, technically better quality music.
It's easier to make an album, harder to figure out how to get people to notice it.
The relationship, the marriage, the commitment, the partnership... This is the holy ground.
I'm grateful to my audience, that there are people who will buy a ticket and come and see us play and who essentially support me and this life of music.
My brother Alex fell in love with rhythm and blues early and gave me a strong dose of it.
I've written a number of songs over the years and it's a big part of my life, this sort of tension between a longing for home and the call for the open road. It's sort of like a tug between two families. I even love to miss my home.
I'm always making music. I'm constantly making little musical recordings on my phone or on a little voice recorder I carry with me so I can remember these little pieces of music that eventually becomes songs.
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