Eudora Welty Quotes - Page 5

Quotes about:

• Any room in our house at any time in the day was there to read in or to be read to.

  Eudora Welty

  House, Rooms

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• Don't give anybody up." He stroked her. "Or leave anybody out. Me and you both left her out today, and I'm ashamed for us." "There just wasn't room in today for it ... He said, "There's room for everything, and time for everybody, if you take your day the way it comes along and try not to be much later than you can help."

  Eudora Welty

  Giving, Trying, Way

  "Complete Novels".

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• Ever since I was first read to, then started reading to myself, there has never been a line read that I didn't hear. As my eyes followed the sentence, a voice was saying it silently to me. It isn't my mother's voice, or the voice of any person I can identify, certainly not my own. It is human, but inward, and it is inwardly that I listen to it. It is to me the voice of the story or the poem itself.

  Eudora Welty

  Mother, Reading, Eye

  Eudora Welty (1995). “One Writer's Beginnings”, p.11, Harvard University Press

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• Plots are ... what the writer sees with.

  Eudora Welty

  Plot

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• The first thing we see about a short story is its mystery. And in the best short stories, we return at the last to see mystery again

  Eudora Welty

  Best Short, Stories, Lasts

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• Making reality real is art's responsibility. It is a practical assignment, then, a self-assignment: to achieve, by a cultivated sensitivity for observing life, a capacity for receiving impressions, a lonely, unremitting, unaided, unaidable vision, and transferring this vision without distortion to it onto the pages of a novel, where, if the reader is so persuaded, it will turn into the reader's illusion.

  Eudora Welty

  Lonely, Art, Real

  Eudora Welty (2011). “On Writing”, p.53, Modern Library

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• Reading Chekhov was just like the angels singing to me.

  Eudora Welty

  Reading, Angel, Singing

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• My own words, when I am at work on a story, I hear too as they go, in the same voice that I hear when I read in books. When I write and the sound of it comes back to my ears, then I act to make changes. I have always trusted this voice.

  Eudora Welty

  Book, Writing, Voice

  Eudora Welty (1995). “One Writer's Beginnings”, p.12, Harvard University Press

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• I think that as you learn more about writing you learn to be direct.

  Eudora Welty

  Writing, Thinking, Direct

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• Every story teaches you how to write that story but not the next story.

  Eudora Welty

  Writing, Stories, Next

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• At the time of writing, I don't write for my friends or myself either; I write for it, for the pleasure of it.

  Eudora Welty

  Writing, Pleasure, My Friends

  Eudora Welty (2016). “Delta Wedding”, p.7, Head of Zeus

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• What we know about writing the novel is the novel.

  Eudora Welty

  Writing, Novel, Knows

  Eudora Welty (2011). “On Writing”, p.64, Modern Library

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• A short story is confined to one mood, to which everything in the story pertains. Characters, setting, time, events, are all subject to the mood. And you can try more ephemeral, more fleeting things in a story - you can work more by suggestion - than in a novel. Less is resolved, more is suggested, perhaps.

  Eudora Welty

  Character, Insightful, Trying

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• To open up the new, to look back on the old may bring forth like discoveries in the practice of art.

  Eudora Welty

  Art, Discovery, Practice

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• Fantasy is no good unless the seed it springs from is a truth, a truth about human beings.

  Eudora Welty

  Spring, Fantasy, Humans

  Eudora Welty (1975). “Fairy Tale of the Natchez Trace: A Paper Read at the Annual Dinner Meeting of the Mississippi Historical Society, Jackson, Mississippi, March 7, 1975”

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• I believe in it, and I trust it too and treasure it above everything, the personal, the personal, the personal! I put my faith in it not only as the source, the ground of meaning in art, in life, but as the meaning itself.

  Eudora Welty

  Art, Believe, Treasure

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• Writers and travelers are mesmerized alike by knowing of their destinations.

  Eudora Welty

  Knowing, Destination, Traveler

  Eudora Welty (1995). “One Writer's Beginnings”, Harvard University Press

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• Writing fiction has developed in me an abiding respect for the unknown in a human lifetime and a sense of where to look for the threads, how to follow, how to connect, find in the thick of the tangle what clear line persists.

  Eudora Welty

  Respect, Writing, Abiding

  Eudora Welty (1995). “One Writer's Beginnings”, p.90, Harvard University Press

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• Is there any sleeping person you can be entirely sure you have not misjudged?

  Eudora Welty

  Sleep, Persons

  Eudora Welty (2011). “The Optimist's Daughter”, p.60, Vintage

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• I'm a great reader that never has time to read.

  Eudora Welty

  Reader

  Eudora Welty (2016). “Delta Wedding / The Ponder Heart”, p.336, Houghton Mifflin Harcourt

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• Through travel I first became aware of the outside world; it was through travel that I found my own introspective way into becoming a part of it.

  Eudora Welty

  Life, Travel, Inspiration

  Eudora Welty (1995). “One Writer's Beginnings”, p.76, Harvard University Press

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• I learned quickly enough when to click the shutter, but what I was becoming aware of more slowly was a story-writer's truth: The thing to wait on, to reach for, is the moment in which people reveal themselves... I learned from my own pictures, one by one, and had to; for I think we are the breakers of our own hearts.

  Eudora Welty

  Heart, Thinking, People

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• Every story teaches me how to write it. Unfortunately, it doesn't teach me how to write the next one.

  Eudora Welty

  Writing, Stories, Next

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