I'm just not comfortable with that society stuff. I mean, we were just invited to the White House, but my husband won't take me because he knows I don't want to go.
I can buy and sell any of these people who are always criticizing me.
Fifteen years ago I knew I had to settle into being a mom and give them a normal life, which I never had. I was always traveling. I had tours. I wanted my kids to settle down, and we kind of did it together.... It was a bumpy transition. There was no director telling me what to do. No script, but I really enjoyed it. I even became president of the PTA. Doing the laundry was a meditative experience. Now, when I start to get nervous and stressed, I go in and start to fold towels.
The future comes quickly. Before you know it, you turn around and it's tomorrow.
You know, it was important for me to do something like that, because nobody ever really thought I could do anything except look sexy on a poster and go shopping.
I'd become a cult figure to a certain extent because of my movies, but unfortunately it was because of how bad they were!
Film, I think, is my medium.
I can't relate to Mansfield or Monroe. The only one I can relate to is Bardot. First of all, there's a certain physical similarity between us. Second of all, she was very strong--she didn't have that affected sexuality.
I had basically the same stigma that Bo Derek did -- being created by a Svengali -- which took me a long time to overcome.
But there's not enough time in life to go sit at a party, have a drink, and make idle conversation. There's too many important things to do. Just being together with my husband, spending time alone, which I have very little of.
And I like the way Cain writes his women. Very strong. They're kind of lusty, they know what they want, they're full of conviction. Cain's women are sexual.
I'm at the point in my life when I'm ready to have a baby. Something real in a crazy world.
I don't like to go to the movies to see violence or some kind of spy thing with all kinds of information you have to assimilate to understand the plot.
In a way, my past gives me a little credibility. Not that anybody cares what I did nineteen years ago, but I did have a career, and a legitimate one, before I met my husband.
I don't consider myself a sex symbol.
I'm one Pia Zadora, the same way all the time. That's why I'm happy. It took me a long time to get to the point where could be myself all the time.
This guy, when I met him he was 47 years old, he'd just come out of a divorce and he was, you know, very desirable. He had every Cosmo cover girl and undercover girl. They were just coming out of his ears. Baking cakes on his doorstep, one in the back door, one on the roof, one waiting in the basement, another in the elevator. So I know I have to keep an eye on him.
Maybe we'll go trick-or-treating for Halloween, and I'll go as Pia Zadora.
Because a lot of straight people think I'm nuts.
I love John Waters. You see, I want to be the next Divine.
I'm gonna give them the advice that I always took myself, that it's better to get to know somebody before you jump into the sack with them. Because then if you jump into the sack and fall in love, and you liked them already, you're home free.
The reason we shot it was that the script was geared to Las Vegas and it was something commercial that we wanted to have in the can in case Butterfly was a success and we needed a follow-up.
You know, after the film I said to myself, "It's a good thing you were so stupid not to be nervous. If I'd been nervous, it would have ruined the whole thing.
You know, it's not the people in Hollywood who go to see movies that will make a movie successful; it's the people all around the country; it's word-of-mouth.
If you have a guy like Jermaine, it's a pain in the neck. When we were on the road together in Europe, Jesus, I had to kick the girls off of him. I mean, they throw themselves on the floor and take off their hats.
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