We are all so afraid, we are all so alone, we all so need from the outside the assurance of our own worthiness to exist. So, for a time, if such a passion come to fruition, the man will get what he wants. He will get the moral support, the encouragement, the relief from the sense of loneliness, the assurance of his own worth. But these things pass away; inevitably they pass away as the shadows pass across sundials. It is sad, but it is so. The pages of the book will become familiar; the beautiful corner of the road will have been turned too many times. Well, this is the saddest story.
You have to wait together - for a week, for a year, for a lifetime, before the final intimate conversation may be attained ... and exhausted. So that ... That in effect was love.
You may well ask why I write. And yet my reasons are quite many. For it is not unusual in human beings who have witnessed the sack of a city or the falling to pieces of a people to set down what they have witnessed for the benefit of unknown heirs or of generations infinitely remote; or, if you please, just to get the sight out of their heads.
It's the quality of harmony, sir. The quality of being in harmony with you own soul. God having given you your own soul you are then in harmony with Heaven.
...she had always known under her mind and now she confessed it: her agony had been, half of it, because one day he would say farewell to her, like that, with the inflexion of a verb. As, just occasionally, using the word 'we' - and perhaps without intention - he had let her know that he loved her.
Yes, a war is inevitable. Firstly, there's you fellows who can't be trusted. And then there's the multitude who mean to have bathrooms and white enamel. Millions of them; all over the world. Not merely here. And there aren't enough bathrooms and white enamel in the world to go round.
No author, I think, is deserving of much censure for vanity if, taking down one of his ten-year-old books, he exclaims: "Great heavens, did I write as well as that then?" for the implication always is that one does not write any longer so well and few are so envious as to censure the complacencies of an extinct volcano.
In every man there are two minds that work side by side, the one checking the other; thus emotion stands against reason, intellect corrects passion and first impressions act a little, but very little, before quick reflection.
If you hunch your shoulders too long against a storm your shoulders will grow bowed.
I couldn't regard myself as personally repulsive. No man can, or, if he ever comes to do so, that is the end of him.
He thought he suddenly understood. For the Lincon-shire sergeant-major the word Peace meant that a man could stand up on a hill. For him it meant someone to talk to.
Ford's last Fifth Queen novel is amazing. The whole cycle is a noble conception.
He added that a Frenchman in the train had given him a great sandwich that so stank of garlic that he had been inclined to throw it at the fellow's head.
He wouldn't write a letter because he couldn't without beginning it 'Dear Sylvia' and ending it 'Yours sincerely' or 'truly' or 'affectionately.' He's that sort of precise imbecile. I tell you he's so formal he can't do without all the conventions there are and so truthful he can't use half of them.
What then is to be the lot of Rossetti's fame and influence? 'An amateur who failed in two arts', it is true; yet it hardly harms Rossetti or touches his standing. On the contrary, it defines both very brilliantly. The small word 'failed' is a small word and little more to artists who are forever going on until they give up over a game that must be lost. Every artist, when confronted by the immensities of art, which is life, must confess to failure. A failure is a thing very relative.
If you only would!" He added rather diffidently: "If you would not mind remembering that I am a military court of inquiry. It makes it easier for me to report to the general if you say things dully and in the order that they happened.
Six months ago I had never been to England, and, certainly, I had never sounded the depths of an English heart. I had known the shallows.
They were simple, earnest people, those early Victorians, and had not yet learnt the trick of avoiding disturbing thoughts and sights.
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