I know I'm a grumpy old man, but I'm always more delighted by readers talking about the actual comics than people talking about how eager they are to have their favorite comics be "elevated" into another medium. Adaptations are great, but for me, comics have always been the destination, not a stepping-stone to get somewhere else.
I think a lot of creators are attracted to those toys they got to play with when they were young, and everyone wants to write a Superman story or a Batman story or a Spider-Man story. I don't know, if it's been successful for me, it should be successful for anyone. "Hit the ground with your feet running" is the secret of breaking new characters when it seems like no one else is having any luck.
I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager. I like being around teenagers. It's good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They're mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
The appealing thing about comics: There literally is no budget in comics. You're only limited by your imagination.
The longer I've been writing scripts, the more I find that you have to give the artist more leeway or else you'll just be disappointed. You can't force them to draw every image that's in your head. Since I'm a horrific artist, I wouldn't want them to anyway. So I definitely give them a lot more leeway now than I did at the beginning.
I love that the book [Paper Girls ] gets to kind of evolve and change in each era. Our third storyline is our best so far.
Each collected edition of Paper Girls that we put out will largely be set in an entirely different era.
We're not trying to be deliberately frustrating, but we are laying the tracks for a mystery, and it's one that we have all figured out. We wanted this to be kind of like the way that Cliff [Chang] and I felt about the Cold War in the '80s when we were 12.
There's just something about that late '80s that suddenly feels like it has something to teach us.
As you get older you start to see these events and leaders, and movements of the pendulum swinging back.
It was interesting looking back at the '80s and trying to find newspaper headlines from the time - the cliché of history repeating itself.
I'm still digesting the '90s. It takes some time to get perspective.
I just want to take a realistic look now, now that we have enough distance.
There's a lot of dark stuff from the '80s that we don't think about.
There's a lot of fiction from that period that we're nostalgic for.
It's just people who grew up in that time are suddenly old enough to be creators themselves, but I think they have a little perspective. I'm 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the '80s and think back.
We're always looking roughly 30 years behind us. In the '80s they were obsessed with the '50s and so on.
These are the young women [in Stand by Me] that we grew up knowing and hopefully they feel a little rough around the edges, because it's true to life.
I remember seeing Stand by Me, when I was around 12, and just feeling like, "This is so refreshing to see kids swear and smoke cigarettes like my friends." It just felt much more real than the Sesame Street version of childhood that I'd been spoon-fed.
I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls. There was just this sense that all these young women knew there were openings here to be the first of their kind.
We've all seen lots of stories about a young protagonist having adventures, and usually they're all boys, [and] there is sometimes a token female, or two.
I'm just grateful to finally be telling a story with all females at the lead.
I've written about teenage heroes before, on Marvel's Runaways, and I remember at the time when I pitched it, it was a team that had more female members than males. Even that caused of much discussion about, "Will there be a market for this, and should there at least be equal number of male and females?"
We describe [Paper Girls] as Stand By Me meets Terminator.It's a story about nostalgia and childhood, but with an action-packed, sci-fi bent.
You'd never be able to convince someone to give you money to do a bilingual story where you're not translating half of it - you'd drive people crazy. But in comics, you can do whatever your heart desires.
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