Everybody underestimated the universality of the concept of a nightmare or a bad dream. Horror movies travel pretty well anyway. They're like action movies: People overseas can watch them and enjoy them, and they're not so culturally specific in terms of their references, and they can follow a good scary story.
I love the fans, and I respect the fans, and I want them to go out and support movies.
There's a depth to the nightmare, to the symbolism you can exploit, on an intellectual level, on a sexual level, on a primal, violent level, and I think all of those things together are just great. They're the spice and ingredients in the menu of the horror movie, and I think that's why we'll be around for a long time.
Everybody has a nightmare, and everybody apparently has falling dreams, and everybody has the drowning dream, and everybody has certain kinds of sexual manifestation dreams, as well as our stress dreams; I didn't study for the algebra test, I didn't study for my driving test, you know, all those dreams. I still have those dreams, and it's just such an interesting thing that our mind can turn against us, our own mind, you know we all have.
Let's kill somebody to Sinatra! Or to early Elvis!
Why couldn't there be even a western slasher, or why couldn't there be a serial killer in a kind of pirate buccaneer Caribbean, just someone that's just doing terrible, terrible things in the ports, the sexy ports of Jamaica during the Pirate Renaissance.
I'd like to see a slasher movie set in the depression.
Sometimes we spend our money on something we think is gonna be great, and the titles shall remain nameless, but they're just a little disappointing.
There's plenty of great stuff out there. I think it's just what we do is we all spend our allowance on the thing that we're told is going to be the big event, and sometimes the big event is disappointing.
There's a lot of dark horror, and a lot of sci-fi fantasy that's great, but what gets hyped a lot the big stuff. The most expensive stuff gets hyped a lot, and I love it, don't get me wrong, but there's things that fall through the cracks.
Hollywood is tripping over its own feet.
The cowboy movies is not our go-to programmer anymore, here's a horror film.
I was quite a snob when I was a theatre actor earlier in my career.
I may be a B-movie star, but I work. I'm an actor.
I have friends in New York that won't leave New York, and they're really talented people, but they'd rather take an acting class in New York than do a play in Florida or Boston. That's just weird to me, but they get into that I've-got-to-be-in-the-center-of-the-universe mentality. I'm not that way.
I'm an actor. Actors are supposed to act.
Who would know that by playing a nerdy alien and a child killer, I would have a 30-year career in Hollywood? I've outlasted so many people.
I've watched people who were better actors than me disappear, and they're selling insurance now.
I'm of the opinion that you go where you're wanted.
I don't choose roles. I go where I'm wanted.
Doing a movie in Tel Aviv or London or South Africa or Mexico. It's this great second act to my career, and it's a real good time.
I make a star's salary when I do horror, because I can still open a movie in Italy or Spain or Germany.
Arguably, the Venice Film Festival is the second best film festival in the world, after Cannes.
I do genre films because I like them, or because I need the money.
I'm doing a lot of boogie-boarding now. It's actually better exercise, I get a lot more waves, and if I'm out in big surf, I can duck under the waves much easier.
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