People who dream when they sleep at night know of a special kind of happiness which the world of the day holds not, a placid ecstasy, and ease of heart, that are like honey on the tongue. They also know that the real glory of dreams lies in their atmosphere of unlimited freedom. It is not the freedom of the dictator, who enforces his own will on the world, but the freedom of the artist, who has no will, who is free of will.
We must leave our mark on life while we have it in our power.
It's an odd feeling-farewell-there is some envy in it. Men go off to be tested for courage and if we're tested at all, it's for patience, for doing without, for how well we can endure loneliness.
People who dream when they sleep at night know of a special kind of happiness which the world of the day holds not, a placid ecstasy, and ease of heart, that are like honey on the tongue.
A poet's mission is to make others confound fiction and reality in order to render them, for an hour, mysteriously happy.
When you have caught the rhythm of Africa, you find out that it is the same in all her music.
What is life when you come to think upon it, but a most excellent, accurately set, infinitely complicated machine for turning fat playful puppies into old mangy blind dogs, and proud war horses into skinny nags, and succulent young boys, to whom the world holds great delights and terrors, into old weak men, with running eyes, who drink ground rhino-horn?
There is a particular hapiness in giving a man whom you like very much, good food that you have cooked yourself.
When in the end, the day came on which I was going away, I learned the strange learning that things can happen which we ourselves cannot possibly imagine, either beforehand, or at the time when they are taking place, or afterwards when we look back on them.
Up in this air you breathed easily, drawing in a vital assurance and lightness of heart. In the highlands you woke up in the morning and thought: Here I am, where I ought to be.
To me, the explanation of life seems to be its melody, its pattern. And I feel in life such an infinite, truly inconceivable fantasy.
If there were one more thing I could do, it would be to go on safari once again.
I had seen a herd of Buffalo, one hundred and twenty-nine of them, come out of the morning mist under a copper sky, one by one, as if the dark and massive, iron-like animals with the mighty horizontally swung horns were not approaching, but were being created before my eyes and sent out as they were finished.
We invent the past and remember the future.
It is a sad hardship and slavery to people who live in towns, that in their movements they know of one dimension only; they walk along the line as if they were led on a string. The transition from the line to the plane into the two dimensions, when you wander across a field or through a wood, is a splendid liberation to the slaves, like the French Revolution. But in the air you are taken into the full freedom of the three dimensions; after long ages of exile and dreams the homesick heart throws itself into the arms of space.
I start with a tingle, a kind of feeling of the story I will write. Then come the characters, and they take over, they make the story.
Then Martine said: "So yuo will be poor now all your life, Babette?" Poor?" said Babette. She smiled as if to herself. "No, I shall never be poor. I told you that I am a great artist. A great artist, Mesdames, is never poor.We have something, Mesdames, of which other people know nothing.
Of all the idiots I have met in my life, and the Lord knows they have not been few or little, I think that I have been the biggest.
The best of my nature reveals itself in play, and play is sacred.
Tragedy should remain the right of human beings, subject, in their conditions or in their own nature, to the dire law of necessity. To them it is salvation and beatification.
I felt that Paris was illuminated by a splendor possessed by no other places.
Truth is for tailors and shoemakers. I, on the contrary, have always held that the Lord has a penchant for masquerades.
I have a feeling that wherever I may be in the future, I will be wondering whether there is rain at Ngong.
I have before seen other countries, in the same manner, give themselves to you when you are about to leave them.
It is more than their land that you take away from the people, whose native land you take. It is their past as well, their roots and their identity. If you take away the things that they have been used to see and will be expecting to see, you may, in a way, as well take their eyes.
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