With fiction, you can talk about plot, character and narrative, whereas a poem brings home the fact that everything that happens in a work of literature happens in terms of language. And this is daunting stuff to deal with.
Today, nostalgia is almost as unacceptable as racism.
What's wrong with a bit of nostalgia between friends? I think nostalgia sometimes gets too much of a bad press.
Any attempt to define literary theory in terms of a distinctive method is doomed to failure.
Most poetry in the modern age has retreated to the private sphere, turning its back on the political realm.
Evil is often supposed to be without rhyme or reason.
History works itself out by an inevitable internal logic.
If there are indeed any iron laws of history, one of them is surely that in any major crisis of the capitalist system, a sector of the liberal middle class will shift to the left, and then shift smartly back again once the crisis has blown over.
Americans use the word "dream" as often as psychoanalysts do.
Historical determinism is a recipe for political quietism.
The humanities should constitute the core of any university worth the name.
The most common mistake students of literature make is to go straight for what the poem or novel says, setting aside the way that it says it. To read like this is to set aside the ‘literariness’ of the work – the fact that it is a poem or play or novel, rather than an account of the incidence of soil erosion in Nebraska.
Cynicism and naivety lie cheek by jowl in the American imagination; if the United States is one of the most venal nations on Earth, it is also one of the most earnestly idealistic.
I value my Catholic background very much. It taught me not to be afraid of rigorous thought, for one thing.
The political currents that topped the global agenda in the late 20th century - revolutionary nationalism, feminism and ethnic struggle - place culture at their heart.
There is no way in which we can retrospectively erase the Treaty of Vienna or the Great Irish Famine. It is a peculiar feature of human actions that, once performed, they can never be recuperated. What is true of the past will always be true of it.
It is capitalism, not Marxism, that trades in futures.
Yahweh is presented in the Jewish Bible as stateless and nationless. He can’t be used as a totem or fetish in that way.
For the liberal state to accommodate a diversity of beliefs while having few positive convictions is one of the more admirable achievements of civilization.
It is easy to see why a diversity of cultures should confront power with a problem. If culture is about plurality, power is about unity. How can it sell itself simultaneously to a whole range of life forms without being fatally diluted?
It is in Rousseau's writing above all that history begins to turn from upper-class honour to middle-class humanitarianism. Pity, sympathy and compassion lie at the centre of his moral vision. Values associated with the feminine begin to infiltrate social existence as a whole, rather than being confined to the domestic sphere.
It is true that some liberals and humanists, along with the laid-back Danes, deny the existence of evil. This is largely because they regard the word 'evil' as a device for demonising those who are really nothing more than socially unfortunate.
In conscious life, we achieve some sense of ourselves as reasonably unified, coherent selves, and without this action would be impossible. But all this is merely at the 'imaginary' level of the ego, which is no more than the tip of the iceberg of the human subject known to psychoanalysis. The ego is function or effect of a subject which is always dispersed, never identical with itself, strung out along the chains of the discourses which constitute it.
Language always pre-exists us: it is always already 'in place', waiting to assign us our places within it.
It is important to see that, in the critique of ideology, only those interventions will work which make sense to the mystified subject itself.
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